Colonel Quaritch, V.C.: A Tale of Country LifeHaggard, H. Rider (Henry Rider)
General
Colonel Quaritch, V.C.: A Tale of Country Life
Haggard, H. Rider (Henry Rider)
Country life -- Fiction; Pastoral fiction
He did so mechanically, and then pulled down the blinds. Meanwhile
Belle had seated herself near the table, her face buried in her hands.
“What is the meaning of all this, Belle?” he said.
“‘Sister Agnes,’ you must call me now,” she said, taking her hands from
her face. “The meaning of it is that I have left the world and entered
a sisterhood which works among the poor in London, and I have come to
bid you farewell, a last farewell.”
He stared at her in amazement. He did not find it easy to connect the
idea of this beautiful, human, loving creature with the cold sanctuary
of a sisterhood. He did not know that natures like this, whose very
intensity is often the cause of their destruction, are most capable of
these strange developments. The man or woman who can really love and
endure—and they are rare—can also, when their passion has utterly
broken them, turn to climb the stony paths that lead to love’s
antipodes.
“Edward,” she went on, speaking very slowly, “you know in what relation
we have stood to each other, and what that relationship means to woman.
You know this—I have loved you with all my heart, and all my strength,
and all my soul——” Here she trembled and broke down.
“You know, too,” she continued presently, “what has been the end of all
this, the shameful end. I am not come to blame you. I do not blame you,
for the fault was mine, and if I have anything to forgive I forgive it
freely. Whatever memories may still live in my heart I swear I put away
all bitterness, and that my most earnest wish is that you may be happy,
as happiness is to you. The sin was mine; that is it would have been
mine were we free agents, which perhaps we are not. I should have loved
my husband, or rather the man whom I thought my husband, for with all
his faults he was of a different clay to you, Edward.”
He looked up, but said nothing.
“I know,” she went on, pointing to the picture over the mantelpiece,
“that your mind is still set upon her, and I am nothing, and less than
nothing, to you. When I am gone you will scarcely give me a thought. I
cannot tell you if you will succeed in your end, and I think the
methods you are adopting wicked and shameful. But whether you succeed
or not, your fate also will be what my fate is—to love a person who is
not only indifferent to you but who positively dislikes you, and
reserves all her secret heart for another man, and I know no greater
penalty than is to be found in that daily misery.”
“You are very consoling,” he said sulkily.
Public-domain text, read in full here on John Shaqi.
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