Colonial Homes and Their FurnishingsNorthend, Mary Harrod
History
Colonial Homes and Their Furnishings
Northend, Mary Harrod
Architecture, Colonial; Furniture -- United States
The finish of the walls in this type of hall varied. Some were entirely
paneled, others showed a quaint landscape paper above a low white
wainscot, and still others showed hangings of pictorial import, framed
like great pictures. To the last-named class belongs the Lee hall at
Marblehead, considered to be one of the finest examples of its type
extant. Black walnut is the wood finish here, and the hangings, designed
by a London artist, are in soft tones of gray, beautifully blended, and
represent scenes of ruined Greece, each set in a separate panel,
handsomely carved.
Occasionally, to-day, a staircase of the spiral type is found,--a type
that possesses certain satisfying characteristics, but which never
enjoyed the popularity of the straight staircase. Some few of the
staircases in the old Derby Street mansions at Salem are of this type,
as is the staircase at Oak Knoll, in Danvers, the poet Whittier's last
residence. The common name for this type of staircase was winder.
A large number of representatives of the finest type of the colonial
hall are scattered throughout the North and South, and their sturdiness
of construction bids fair to make them valued examples indefinitely. One
particularly good example is shown at Hey Bonnie Hall, in Bristol, Rhode
Island, a mansion built on Southern lines, and suggesting in its
construction the hospitality of that section. Here the hall is twenty
feet wide; the walls are tinted their original coloring, a soft rich
green, that harmonizes perfectly with the white woodwork and the deep,
mellow tones of the priceless old mahogany of the furnishings. A
well-designed, groined arch forming a portion of the ceiling, and
supported at the corners by four slender white pillars, is one of the
apartment's attractive adjuncts, while the dominant feature is the
staircase that rises at the farther end, five feet in width, with treads
of solid mahogany and simple but substantial balusters of the same wood
on either side. The upper hall is as distinctive as the lower one, and
exactly corresponds in length and width. Wonderful old furnishings are
placed here, and at one end is displayed a fine bit of architectural
work in a fanlight window, overlooking the garden.
Public-domain text, read in full here on John Shaqi.
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