Color Standards and Color Nomenclature: With fifty-three colored plates and eleven hundred and fifteen named colorsRidgway, Robert
Science
Color Standards and Color Nomenclature: With fifty-three colored plates and eleven hundred and fifteen named colors
Ridgway, Robert
Colors
In order to obtain as many color names as possible for standardization
it has been necessary to draw from all available sources. Several
thousand samples of named colors have therefore been collected, and
for convenience of reference and comparison gummed to card catalogue
cards, with the name, source, and other data thereon. These include
the colors from many standard works, among them Werner's "Nomenclature
of Colours" (Syme's edition, 1821), Hay's "Nomenclature of Colours"
(1846), Ridgway's "Nomenclature of Colors" (1886), Saccardo's
"Chromataxia" (1891), Mathews' "Chart of Correct Colors of Flowers"
(American Florist, 1891), Willson and Calkins' "Familiar Colors,"
Oberthur and Dauthenay's "Repertoire des Couleurs" (1905), Leidel's
"Hints on Tints" (1893), "Lefévré's Matieres Colorantes Artificiales"
(1896), the Standard Dictionary chart of "typical colors," the
educational colored papers of Milton Bradley and Prang, and many
others; and besides these practically all of the artists' oil, water,
and dry colors, manufactured by Winsor and Newton, F. Schoenfeld and
Co., Charles Roberson and Co., George Rowney and Co., Madderton and
Co., R. Ackermann and Co., Bourgeois, Binant, Chenal, Le Franc, Devoe,
Raynolds, Osborne, Bradley, Hatfield and others; also the coal-tar or
aniline dyes of Dr. G. Grübler & Co., Continental Color and Chemical
Co., and Henry Heil Chemical Co., and the well known Diamond Dyes;
chromo-lithographic inks, embroidery silks, etc., etc.
The material from which to select suitable color names was greatly
augmented, almost at the last moment, from two sources, as follows: (1)
A very large collection of color-samples (unfortunately mostly unnamed)
collected and mounted on cards by Mr. Frederick A. Wampole, a talented
young artist, to whom was delegated, by a Committee of the American
Mycological Society, the task of preparing a nomenclature of colors
based upon spectroscopic determinations, but which, unfortunately,
the untimely death of Mr. Wampole prevented from progressing beyond
the accumulation of this collection. For the use of this material I
am indebted to the courtesy of Dr. Frederick V. Coville, Botanist of
the U. S. Department of Agriculture, and Mr. P. L. Ricker, Assistant
Botanist, Bureau of Plant Industry, in the same Department. (2) A
splendid collection of colored Japanese silks, taffetas, velvets, and
other dress goods, kindly sent me by Mr. C. H. Hospital, of the silk
department of the firm of Woodward and Lothrop, Washington, D. C. The
very large number of colors represented in this collection are all
named and have afforded a considerable number of the names adopted in
the present work.
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