Color Standards and Color Nomenclature: With fifty-three colored plates and eleven hundred and fifteen named colorsRidgway, Robert
Science
Color Standards and Color Nomenclature: With fifty-three colored plates and eleven hundred and fifteen named colors
Ridgway, Robert
Colors
_Tone._—"Each step in a color scale is a tone of that color."[20]
The term tone cannot, however, be properly applied to a step in the
spectrum scale, in which each contiguous pair of the six distinct
spectrum or "fundamental" _colors_ are connected by _hues_. Hence
_tone_[21] is exclusively applicable to the steps in a scale of
a single color or hue, comprising the full color (in the center)
and graduated tints and shades leading off therefrom in opposite
directions; or of neutral gray similarly graduated in tone from the
darkest shade to the palest tint. Each one of the colored blocks in the
vertical scales of the plates in this work represents a separate tone
of that color.
_Scale._—A linear series of colors showing a gradual transition from
one to another, or a similar series of tones of one color. The first
is a _chromatic scale_[22] (or scale of colors and hues) and in the
plates of this work is represented by each horizontal series; the
second is a _tone scale_, on the plates running vertically, growing
from the full color, in the center, to a pale tint (at the top) and
a dark shade (at the bottom). For clearer comprehension of these
two distinct scales, each plate of this work may be compared to a
sheet of woven fabric; the chromatic scale (horizontal) representing
the warp, the luminosity or tone scale (vertical) the woof. A third
kind of color scale is represented by adding progressive increments
of neutral gray to any color. This is shown by the several series
of Plates, of which the first (Plates I-XII, with colors numbered
1-71) represents each step in the spectrum scale unmixed with gray,
followed by five other series in which the same colors[23] are shown
dulled by gradually increasing increments of neutral gray, the first
(Plates XIII-XXVI, colors 1′-71′) containing 32 per cent., the second
(Plates XXVII-XXXVIII, colors 1′′-71′′) 58 per cent., the third (Plates
XXXIX-XLIV, colors 1′′′-69′′′) 77 per cent., the fourth (Plates XLV-L,
colors 1′′′′-69′′′′) 90 per cent., and the fifth (Plates LI-LIII,
colors 1′′′′′, 15′′′′′, 23′′′′′, 35′′′′′, 49′′′′′, 59′′′′′ and 67′′′′′)
95.5 per cent. of gray, the last being in reality colored grays.
Finally scales are shown (on Plate LIII) of neutral gray (in which
all trace of color is wanting), and of carbon gray, a simple mixture
of lamp-black and chinese white. It is not easy to find a suitable
name for these scales of reduced or "broken" colors, but they may, for
present convenience, be termed _reduced_ or _broken scales_.
_Full Color._—A color corresponding in intensity with its
manifestation in the solar spectrum.
_Pure Color._—A color corresponding in purity with (or, in the case of
material colors, closely approximating to) one of the spectrum colors.
Public-domain text, read in full here on John Shaqi.
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