Colour Measurement and MixtureAbney, William de Wiveleslie, Sir
Science
Colour Measurement and Mixture
Abney, William de Wiveleslie, Sir
Color
We have said that there are cases in which persons are only defective in
colour perceptions, and not wanting in them altogether. The former are
more common than the latter, and to the experimenter are by no means so
interesting. They are only alluded to here to indicate that there are
degrees in the defectiveness of eyes to colour. One point which must be
remembered here is that all colour production for registration by the
mixture of three colours is delusive, unless the eye of the operator is
tested for its colour sense.
CHAPTER XII.
Formation of Colour Equations--Kœnig's Curves--Maxwell's Apparatus
and Curves.
The plan of obtaining colour equations will by this time have become
fairly evident. And we may as well illustrate it by equations obtained
with the apparatus we have been using in our previous experiments. Let
us suppose we have an individual who is desirous of having his eye-sight
for colour tested, and that we have the slide with the three slits _in
situ_. It will be found that when we alter their width and form white
light with them, matching in purity the white light of the reflected
beam, that we shall have to reduce the intensity of the latter very
considerably, by means of the rotating sectors. The aperture may
sometimes be as small as 4°, and at other times perhaps somewhere
between 4° and 5°. Now the variation in aperture between 4°, and say
4·7, is very considerable, but it is highly probable that the latter
might be estimated as 4·6, since only degrees are marked on the
sectors. It therefore becomes essential to use a less brilliant
reflected beam for the comparison, and this is secured by using as a
mirror a plain unsilvered glass. What before read 4 will perhaps read
60, and 4·7 will be 70-1/2, whilst 4·6 would be 69, a difference easily
read. We can now commence operations. Let us then place the red slit at
say (35) of the scale, the green at (28), and the violet at (17), and
make white light of the same intensity by altering the apertures of the
slits. Let us do the same with the slits at (34), (28), and (17),
instead of at (35), (28), and (17); and again make white light, and
similarly with the slits at (35), (28), and (18); and let the following
be the results--
(1) 20(35) + 60(28) + 40(17) = 100 W
(2) 10(34) + 55(28) + 40(17) = 100 W
(3) 20(35) + 59(28) + 10(18) = 100 W
Subtracting (1) from (2) we get--
10(34) = 20(35) + 5(28)
or (34) = 2(35) + 1/4(28)
which means that the colour sensation at (34) is made up of two parts of
the sensation of (35), together with 1/4 part of the sensation of (28).
In the same way we find that the colour sensation of (18) is made up of
the sensations of (17) and (28).
(18) = 4(17) + 1/10(28).
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