Colour Measurement and MixtureAbney, William de Wiveleslie, Sir
Science
Colour Measurement and Mixture
Abney, William de Wiveleslie, Sir
Color
By this time we must be thoroughly convinced that by throwing one
coloured patch over another a compound colour can be formed; our next
business is to demonstrate that the same effect can be produced by
successive images of these same colours. Thus we can show that as a
mixture of red and blue produces purple, when the two lights are
superposed, so precisely the same purple can be produced by allowing the
same two colours to strike the eye alternately, and in very rapid
succession. We can make a match of the beautiful purple of permanganate
of potash as before upon the screen, by placing one adjustable slit in
the red and the other in the violet. If we place in front of the slits a
disc cut out with equal angular apertures (Fig. 39), the slit S₁ will be
covered when the slit S₂ is open, and _vice versâ_, and the two will
never be uncovered at the same time when the card is turning round its
centre. When this disc is caused to rotate rapidly, we shall have first
a patch formed by the light coming through one slit, and then another
formed by that coming through the other slit, thrown on the screen on
the same place in rapid succession, and the effect on the eye should be
precisely the same as if the disc was not there, save in the matter of
intensity. Applying this artifice experimentally to the two slits which
were used to give the colour of permanganate, the experiment tells us
that such is the case. It would be going away from the intention of
this work were the physiological aspect of this experiment dwelt upon;
it need only be stated that an impression on the retina lasts an
appreciable time, though short, and that the impression made by the blue
patch has not had time to disappear before there is an impression made
by the red patch, and so on. As the retina retains these two impressions
together, they produce the impression of purple.
Fig. 40.--Disc painted Blue and Red.
Public-domain text, read in full here on John Shaqi.
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