Colour Measurement and MixtureAbney, William de Wiveleslie, Sir
Science
Colour Measurement and Mixture
Abney, William de Wiveleslie, Sir
Color
For experiments in colour this duration of impressions is of great
value, for we can take advantage of it to compound the colours of
pigments together in a very simple manner. For instance, we can take a
circular disc painted in sectors with blue and red (Fig. 40), and
produce a purple by causing it to rotate round its centre. Small discs
of two inches in diameter may be painted with different coloured
sectors, and if a pin be passed through the centre, a smart movement of
a finger at the periphery will cause it to rotate sufficiently quickly
to make the colours blend. A more convenient plan for exact work is,
however, to have an electro-motor similar to that which moves the
rotating movable sectors (Fig. 41), and at the end of the spindle to fix
a cap with a screw and nut attached. The disc, perforated at the centre
with a clean-cut hole, can be slipt over the screw, and fastened by the
circular nut. When the armature rotates, the disc also rotates at the
same speed, and the colours thus blend without any exertion on the part
of the observer. Ordinary tops can also be used, but it is somewhat
fatiguing to have to wind them up and start them afresh for each
experiment. The motor shown in the figure rotates sufficiently rapidly,
with discs of eight inches in diameter, to blend colours. It may here be
remarked that the stronger the light in which such sectors rotate, the
quicker the rotation should be. Too slow a rotation allows a
scintillation which is destructive of accuracy of reading. To blend some
colours together also requires more rapid rotation than with others. The
brighter the colour the more rapid it should be. We learn from this that
the diminution of the more intense impressions on the retina is more
rapid at first than of the feebler.
Fig. 41.--Electro-motor with Discs attached.
Fig. 42.--Method of cutting Disc to allow an overlap of a second Disc.
Public-domain text, read in full here on John Shaqi.
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