Colour vision : $b Being the Tyndall Lectures delivered in 1894 at the Royal InstitutionAbney, William de Wiveleslie, Sir
Science
Colour vision : $b Being the Tyndall Lectures delivered in 1894 at the Royal Institution
Abney, William de Wiveleslie, Sir
Color vision
The fatigue of the retina to colour after it has been presented to
the eye for any length of time is a difficulty, but in a less degree.
That the retina does experience fatigue can be shown by a very simple
experiment. The lecture theatre is now illuminated by the incandescent
light, and if we throw an image of the bright carbon points of the
electric arc light on the screen and steadily fix the eyes on the
image of the white-hot crater for some (say) twenty seconds, and
then we suddenly withdraw it, a _dark_ image of the points will be
seen on the partially lighted screen, and will appear to travel with
the eyes as they move away from the fixed point. This phenomenon is
due to the fact that the perceiving apparatus for white light gets
fatigued on the parts of the retina on which the bright image of the
white carbon points thrown on the screen fell, and that when the
source of brightness was removed, the less intense illumination of
the screen failed to stimulate the vision apparatus at those parts
to the same extent that they were stimulated over the rest of the
field. We can vary the experiment by placing a red glass in front
of the electric light, and, following the same course as before, we
shall see a greenish-blue image of the carbon points upon the screen.
In this case the retinal apparatus which has not been stimulated by
the red sensation will be capable of the maximum stimulation by the
feeble white light, whilst that part which has suffered fatigue will
not respond so freely to the red contained in the white light. If we
abstract a certain amount of red from the spectrum, its recombination
will give a white tinged with greenish blue, which is a counterpart of
the colour we feel when the eyes have been fatigued by the red light.
CHAPTER III.
Let me take you back again to matches of colour. We will now, however,
make the matches with the primary colours in the guise of pigments.
These colours themselves are complex colours, but as the eye cannot
trace any difference, or at all events very little difference, between
them and simple colours, a mixture of these complex colours should
answer nearly as well as do mixtures of the simpler colours. We have
here three discs, a red, a green, and a blue, and we can very closely
match these colours by a red, a green, and a blue in the spectrum.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account