Animal behavior; Animals -- Color; Plants -- Color
Into the origin of the colour sense it is not our province to enlarge;
but, it will reasonably be asked, How are these colours of use to the
creature decorated? The admiration of colour, the charm of landscape, is
the newest of human developments. Are we, then, to attribute to the
lower animals a discriminative power greater than most races of men
possess, and, if so, on the theory of evolution, how comes it that man
lost those very powers his remote ancestors possessed in so great
perfection? To these questions we will venture to reply.
Firstly, then, it must be admitted that the higher animals do actually
possess this power; and no one will ever doubt it if he watches a common
hedge-sparrow hunting for caterpillars. To see this bird carefully
seeking the green species in a garden, and deliberately avoiding the
multitudes of highly coloured but nauseous larvæ on the currant bushes,
arduously examining every leaf and twig for the protected brown and
green larvæ which the keen eye of the naturalist detects only by close
observation; hardly deigning to look at the speckled beauties that are
feeding in decorated safety before his eyes, while his callow brood are
clamouring for food--to see this is to be assured for ever that birds
can, and do, discriminate colour perfectly. What is true of birds can be
shown to be true of other and lower types; and this leads us to a very
important conclusion--that colouration has been developed with the
evolution of the sense of sight. We can look back in fancy to the far
off ages, when no eye gazed upon the world, and we can imagine that then
colour in ornamental devices must have been absent, and a dreary
monotony of simple hues must have prevailed.
With the evolution of sight it might be of importance that even the
sightless animals should be coloured; and in this way we can account for
the decoration of coral polyps, and other animals that have no eyes;
just as we find no difficulty in understanding the colouration of
flowers.
Colour, in fact, so far as external nature is concerned, is all in all
to the lower animals. By its means prey is discovered, or foes escaped.
But in the case of man quite a different state of things exists. The
lower animals can only be modified and adapted to their surroundings by
the direct influence of nature. Man, on the other hand, can utilise the
forces of nature to his ends. He does not need to steal close to his
prey--he possesses missiles. His arm, in reality, is bounded, not by his
finger tips, but by the distance to which he can send his bolts. He is
not so directly dependent upon nature; and, as his mental powers
increase, his dependence lessens, and in this way--the æsthetic
principle not yet being awakened--we can understand how his colour
sense, for want of practice, decayed, to be reawakened in these our
times, with a vividness and power as unequalled as is his mastery over
nature--the master of his ancestors.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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