The _fiesta_ dress of Ácoma has been so often described that it need
not be repeated here. We are told that from the eagle feathers on their
hair to the rabbit-fur anklets, and turtle-shell rattles below the
knee, all is still as it used to be. These picturesque costumes, costly
and elaborate, are hoarded and handed down for generations. After one
has witnessed a Corn Dance in an open plaza, one cannot restrain a sigh
of regret that so much of color and of harmony with the environing
scene has been lost to the daily life of a world grown drab and
over-conventionalized.
In the matter of dress the Indian is going through a transition period.
His native costume is fast disappearing, since the children, after being
put into American schools and given dreary American clothing, are apt
to feel conspicuous and uncomfortable if they return to the dress of
the pueblo. No one who has seen the blue and white checked uniform of a
reservation school can but regret this change. On ordinary days there
is little of the ancient dress to be seen at Ácoma. The women all wear
on the head a shawl or kerchief that falls in soft flowing lines to the
shoulder. From the shoulders hangs down the back a gay-colored square of
silk (called _utinat_) generally made still more lively by a contrasting
border. The dress may be of wool or of cotton in one piece worn over a
blouse with rather full sleeves. A belt embroidered in red and white
completes the costume. The older women wear the footless stocking or
the heavy white legging, tucked into buckskin moccasins. The half-grown
girls usually prefer American shoes and stockings and cotton gowns of the
simplest lines. The little children go barefoot, and are lightly clad
in one garment. Generally speaking, the men wear a nondescript medley of
blue overalls and a loose shirt open at the throat, supplemented by a gay
neckerchief. When to this is added some jewelled ornament like a precious
shell amulet, or the insignia of office, an embroidered belt, and a red
_banda_ filleted about the head, there is still something delightfully
quaint and picturesque about their appearance, though so much has
vanished.
[Illustration: ÁCOMA MAN IN EVERYDAY DRESS
_Fr. O’Sullivan_]
[Illustration: ÁCOMA WOMAN ON HER HOUSE TERRACE
_Fr. O’Sullivan_]
Public-domain text, read in full here on John Shaqi.
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