Cutting the horizon, barrier mountain ranges appear, whose long, restful
lines lend a new note of titanic power to the harmony; and every now and
again, rock-islands, solitary, abrupt, imposing, tell of other forces
silently working through untold ages and leaving behind forms beautiful
or merely fantastic. Of all the magnetic elements of the landscape these
are the most manifest. But the supreme thing, the over-powering glory, is
the majesty of light and the splendor of color that is so all-pervading,
all-enfolding in the desert that, before we are aware of it, we become
sympathetic with the belief of the indigenous race in sorcery.
[Illustration: MESA-LAND
_Bolton_]
In some far foretime the whole of this vast area was an inland sea. Sand
and wind in the long interval since the waters receded have done their
part in the task of erosion as effectually as do ocean waves beating
upon coast-wise cliffs.[1] The work of these elemental forces is uneven.
The softer rock has given way. That which is harder is left sculptured
into forms that everywhere invite the imagination. To many of them
descriptive names have become permanently attached. Such is Locomotive
Rock, lifted high above the road between Casa Blanca and Ácoma in
astonishing realism. Most extraordinary is the line of heads and trunks
of eleven colossal elephants that may be seen two miles away from Ácoma
toward its farm-lands. By wind and sand-blast they have been eroded from
the oyster-grey stone to such lifelikeness that fancy grows almost into
conviction that here we have the work of forgotten sculptors such as once
were bred in Egypt or Chaldæa. Forms like these, in solitudes like these,
lead to quick recognition of the source of anthropomorphic worship by
the sensitively alert mind of primeval man. Such a portentous figure as
that called the Kit Carson monument near Fort Defiance arrests the gaze,
bizarre and unlovely though it is. Carved by no human hands, it must have
seemed to untutored minds a thing supernatural.
In these high altitudes the clear, thin air brings exhilaration of spirit
and an unwonted sense of physical well-being that “scorns laborious days”
and banishes fatigue. True, at times one may be almost blinded by the
shimmering brilliance of “the colored air.” But because the vast stretch
of almost treeless earth acts everywhere as a reflector, it is indirect
radiation and the lack of shade, rather than direct heat, from which one
occasionally needs to seek shelter.
With night there comes an indescribably awesome silence—an isolation, an
infinity of separation from all one has ever known; but soon the eyes,
uplifted to “the floor of heaven thick inlaid with patines of bright
gold,” are soothed and quieted out of all alarm, and blessed sleep brings
unconsciousness to human spirits which may not too long hold converse
with divinity.
[Illustration: THE CARSON MONUMENT
NEAR FORT DEFIANCE
_Bolton_]
Public-domain text, read in full here on John Shaqi.
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