Alaska -- Fiction; California -- Fiction; Gold mines and mining -- Fiction
It is true that even the less well-to-do, summoning all their strength,
sometimes gave “parties,” but few houses encouraged the cheerful custom
of having friends “drop in.” And so, no more useless room in any dwelling
than the parlor. Yet so great was the power of this tradition of a lost
hospitality, that people who had almost nothing else over and above the
grimmest necessities, still had their parlor. Discomfort and cramping
of every kind was stoically borne that the sacred precincts might be
preserved inviolate. For what? Nobody ever asked.
So then, in the dining-room, sat Nathaniel Mar even on this fine Sunday
afternoon, when, as a rule, the desk was shut and the owner gone to
potter in the garden. But the exigency was great, and for once even the
Seventh Day had brought no rest. As he sat there, bent over the desk,
the light fell with such harshness on the man’s foreshortened features,
under the unkempt mop of prematurely graying hair, that you would not
easily have believed him to be under forty odd.
He was not yet thirty-five. The deep line that dropped from the side
of each nostril, to lose itself in the heavy, dark mustache, gave to
his face a stricken and weariful air. And he sat crooked, with one high
shoulder more hunched than the other. You saw the reason of that when he
got up to shut out the sounds of pan-banging, and fire-irons rattling,
that came in through the inch of open door opposite the one leading into
the hall. Before rising, Mar had felt for his walking-stick, and any one
who noticed how heavily he bore upon it in limping over the worn carpet,
knew why it was that one of his great shoulders was pushed awry.
He made the same detour in returning to his seat as had carried him to
the kitchen door, carefully cruising round the pitfall presented by a
half-yard or so of extra dilapidation in the yellow-brown carpet. As
you looked closer at what his avoidance made more noticeable, you saw
that a less faded piece had been tacked over a part hopelessly worn and
mended, and how even this newer square had despairingly let go of the
tacks that held it, and been kicked up by some foot less considerate or
more courageous than Mr. Mar’s. The superimposed piece sat now, in a
frayed, rag-baggy condition, gaping with despair, and like some beggar
in extremis by the way, ready to lay hold on the first unwary foot that
passed.
The entire room wore that indescribable air of settled melancholy that no
one thing in it, not even the carpet, seemed quite ugly or uncomfortable
enough to account for. The furniture was heavy and old. Upon the walls,
besides two or three reconnaissance maps, were some inoffensive prints.
A “Signing of the Declaration of Independence” hung high between the two
windows, and underneath, in oval, gilt frames, were companion pictures of
Mar’s mother and of his father, who had been for many years minister to
Valdivia’s first Presbyterian Church.
Public-domain text, read in full here on John Shaqi.
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