Come Out of the Kitchen! A RomanceMiller, Alice Duer
Philosophy
Come Out of the Kitchen! A Romance
Miller, Alice Duer
Southern States -- Social life and customs -- Fiction
"Some one I should like you to know, Burt. His name is Lefferts."
The lane was now too narrow for four to ride abreast. Crane drew Eliot
to his side. He wanted to ask him about the Crosslett-Billingtons, for
since the disappearance of the miniature, he had made up his mind to
investigate the references of his staff. But strange to say, Eliot had
never heard of the Billingtons, of their collection of tapestry, or
their villa at Capri. He wished to talk of the Revellys.
"A great loss they are to the county, Crane, though, of course, we gain
you. I wonder where they are. Gone North, I heard, though I thought I
saw one of the boys out the morning of the day you came. The Revellys
will hunt anything, from a plow-horse to a thoroughbred. Hard up, you
know. Glad they consented to rent their house. Didn't suppose they ever
would. Too proud, you know. They have things in it of immense value.
Portrait of the grandfather, Marshall Revelly. Second in command to
Stonewall Jackson at one time. I'd like to have you know them. Paul, the
elder brother, is a man of some ability; may make his mark. And the
younger daughter, Miss Claudia Revelly--" Do what he would, Eliot's
voice changed slightly in pronouncing the name. "--Miss Claudia is one
of our great beauties, the recipient of a great deal of attention. Why,
sir, last summer, when Daniel W. Williams, the Governor-elect of this
State, saw Miss Claudia at--"
But the story, in which, to be candid, Crane did not take a great deal
of interest, was interrupted by Cora who pushed her mare forward in
order to attract Crane's attention and to introduce him to her
companion.
The young man was extraordinarily good-looking. His eyes were a strange
greenish-brown color, like the water in the dock of a city ferry; his
skin was ivory in hue and as smooth as a woman's, but his hands and a
certain decisiveness of gesture were virile in the extreme.
"We ought to have a good run," said Crane, in order to say something.
"If any run can be good," answered the young man.
"You don't like hunting?"
"I hate anything to do with horses," answered Lefferts, plaintively.
"You must admit they are particularly unintelligent animals. If they
weren't, of course they wouldn't let us bully them and ride them about,
when they could do anything they wanted with us. No, I only do it
because she," he nodded toward Miss Falkener, "makes me."
Cora, looking very handsome, laughed.
"He's a poet," she said.
"Is that why he has to hunt?" asked Crane, and he wondered if poetry had
anything to do with the excellence of the young man's coat and boots.
"Yes, poets have to be athletic nowadays. It's the fashion, and a very
good one, too."
"There are other forms of athletics I don't hate nearly as much,"
Lefferts went on to Crane, "swimming, for instance, and sailing, and
even walking isn't so bad. It doesn't need so much preparation, and
getting up early in the morning, and all that sort of thing."
Public-domain text, read in full here on John Shaqi.
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