American fiction -- 19th century; Short stories, American
She held out her hand, and, he took it and helped her up. But she
tottered a little before she got her balance (or made, at least, a feint
of doing so), and grasped his hand tight as if to save herself, and all
but fell into his arms.
He drew back a step.
She looked straight into his eyes. “You’re a goose, and a hypocrite,
and a prig, and—a dear,” she said. V.
Their tea was served in the garden, and whilst they were dallying over
it, a footman brought Johannah a visiting-card.
She glanced at the card; and Will, watching her, noticed that a look of
annoyance—it might even have been a look of distress—came into her
face.
Then she threw the card on the tea-table, and rose. “I shan’t be
gone long,” she said, and set out for the house.
The card lay plainly legible under the eyes of Will and Madame Dornaye.
“Mr. George Aymer, 36, Boulevard Rochechouart” was the legend
inscribed upon it.
“Tiens,” said Madame Dornaye; “Jeanne told me she had ceased to
see him.”
Will suppressed a desire to ask, “Who is he?”
But Madame Dornaye answered him all the same.
“You have heard of him? He is a known personage in Paris, although
English. He is a painter, a painter of great talent; very young, but
already decorated. And of a surprising beauty—the face of an angel.
With that, a thorough-paced rascal. Oh, yes, whatever is vilest,
whatever is basest. Even in Montmartre, even in the corruptest world of
Paris, among the lowest journalists and painters, he is notorious for
his corruption. Johannah used to see a great deal of him. She would not
believe the evil stories that were told about him. And with his rare
talent and his beautiful face, he has the most plausible manners, the
most winning address. We were afraid that she might end by marrying him.
But at last she found him out for herself, and gave him up. She told me
she had altogether ceased to see him. I wonder what ill wind blows him
here.”
Johannah entered the drawing-room.
A man in grey tweeds, the red ribbon of the Legion of Honour gleaming
in his buttonhole, was standing near a window: a man, indeed, as Madame
Dornaye had described him, with a face of surprising beauty—a fine,
clear, open-air complexion, a clean-cut, even profile, a sensitive, soft
mouth, big, frank, innocent blue eyes, and waving hair of the palest
Saxon yellow. He could scarcely have been thirty; and the exceeding
beauty of his face, its beauty and its sweetness, made one overlook his
figure, which was a trifle below the medium height, and thick-set, with
remarkably square, broad shoulders, and long arms.
Johannah greeted him with some succinctness. “What do you want?” she
asked, remaining close to the door.
“I want to have a talk with you,” he answered, moving towards her.
He drawled slightly; his voice was low and soft, conciliatory, caressing
almost. And his big blue eyes shone with a faint, sweet, appealing
smile.
“Would you mind staying where you are?” said she. “You can make
yourself audible from across the room.”
Public-domain text, read in full here on John Shaqi.
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