American fiction -- 19th century; Short stories, American
“Oh, this—it is rosemary. Smell it,” she said, breaking off a
sprig and offering it to me.
“Rosemary—that’s for remembrance,” quoted I.
“What does that mean? What language is that?” she asked.
I tried to translate it to her. And then I taught her to say it in
English. “Rrosemérri—tsat is forr rremembrrance.”
“Will you write it down for me?” she requested. “It is pretty.”
And I wrote it for her on the back of one of my cards. IX
After dinner we crossed the garden again, and again stood by the
sea-wall. Over us the soft spring night was like a dark sapphire. Points
of red, green, and yellow fire burned from the ships in the bay, and
seemed of the same company as the stars above them. A rosy aureole in
the sky, to the eastward, marked the smouldering crater of Vesuvius.
Away in the Chiaja a man was singing comic songs, to an accompaniment
of mandolines and guitars; comic songs that sounded pathetic, as they
reached us in the distance.
I asked Zabetta how she wished to finish the evening.
“I don’t care,” said she.
“Would you like to go the play?”
“If you wish.”
“What do you wish?”
“I think I should like to stay here a little longer. It is
pleasant.”
We leaned on the parapet, close to each other. Her face was very pale in
the starlight; her eyes were infinitely deep, and dark, and tender. One
of her little hands lay on the stone wall, like a white flower. I took
it. It was warm and soft. She did not attempt to withdraw it. I bent
over it and kissed it. I kissed it many times. Then I kissed her lips.
“Zabetta—I love you—I love you,” I murmured fervently.—Don’t
imagine that I didn’t mean it. It was April, and I was twenty.
“I love you, Zabetta. Dearest little Zabetta! I love you so.”
“É vero?” she questioned, scarcely above her breath.
“Oh, si; é vero, vero, vero,” I asseverated. “And you? And
you?”
“Yes, I love you,” she whispered.
And then I could say no more. The ecstasy that filled my heart was too
poignant. We stood there speechless, hand in hand, and breathed the air
of heaven.
By-and-by Zabetta drew her bunch of rosemary from her belt, and
divided it into two parts. One part she gave to me, the other she kept.
“Rosemary—it is for constancy,” she said. I pressed the cool herb
to my face for a moment, inhaling its bitter-sweet fragrance; then I
fastened it in my buttonhole. On my watch-chain I wore—what everybody
in Naples used to wear—a little coral hand, a little clenched coral
hand, holding a little golden dagger. I detached it now, and made
Zabetta take it. “Coral—that is also for constancy,” I reminded
her; “and besides, it protects one from the Evil Eye.” X
At last Zabetta asked me what time it was; and when she learned that it
was half-past nine, she insisted that she really must go home. “They
shut the outer door of the house we live in at ten o’clock, and I have
no key.”
“You can ring up the porter.”
“Oh, there is no porter.”
“But if we had gone to the theatre?”
Public-domain text, read in full here on John Shaqi.
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