American fiction -- 19th century; Short stories, American
“Thank you very much,” cried Hilary. “I have a reputation to
safeguard. Do you think I’m going to compromise myself, and set all
my underlings a-sniggling, by making inquiries about the identity of a
woman?”
“But,” persisted Ferdinand, “if I ask you to do so, as
your———-”
“What?” was Hilary’s brusque interruption.
“As your guest,” said Ferdinand.
“Mille regrets, impossible, as the French have it,” Hilary returned.
“But as your host, I give you carte-blanche to make your own inquiries
for yourself—if you think she’s worth the trouble. Being a stranger
here, you have, as it were, no character to lose.”
“After all, it doesn’t matter,” said Ferdinand Augustus, with
resignation. III
But the next afternoon, at about the same hour, Ferdinand Augustus found
himself alone, strolling in the direction of the little stone bridge
over the artificial lakelet; and there again was the woman, leaning
upon the parapet, dropping bread-crumbs to the carp. Ferdinand Augustus
raised his hat; the woman bowed and smiled.
“It’s a fine day,” said Ferdinand Augustus.
“It’s a fine day—but a weary one,” the woman responded, with an
odd little movement of the head.
Ferdinand Augustus was perhaps too shy to pursue the conversation;
perhaps he wanted but little here below, nor wanted that little long. At
any rate, he passed on. There could be no question about her smile this
time, he reflected; it had been bright, spontaneous, friendly. But what
did she mean, he wondered, by adding to his general panegyric of the
day as fine, that special qualification of it as a weary one? It was
astonishing that any man should dispute her claim to beauty. She had
really a splendid figure; and her face was more than pretty, it was
distinguished. Her eyes and her mouth, her clear-grey sparkling
eyes, her softly curved red mouth, suggested many agreeable
possibilities—possibilities of wit, and of something else. It was not
till four hours later that he noticed the sound of her voice. At dinner,
in the midst of a discussion with Hilary about a subject in no obvious
way connected with her (about the Orient Express, indeed—its safety,
speed, and comfort), it suddenly came back to him, and he checked a
remark upon the advantages of the corridor carriage, to exclaim in
his soul, “She’s got a delicious voice. If she sang, it would be a
mezzo.”
The consequence was that the following day he again bent his footsteps
in the direction of the bridge.
“It’s a lovely afternoon,” he said, lifting his hat.
“But a weary one,” said she, smiling, with a little pensive movement
of the head.
“Not a weary one for the carp,” he hinted, glancing down at the
water, which boiled and bubbled with a greedy multitude.
“Oh, they have no human feelings,” said she.
“Don’t you call hunger a human feeling?” he inquired.
“They have no human feelings; but I never said we hadn’t plenty of
carp feelings,” she answered him.
He laughed. “At all events, I’m pleased to find that we’re of the
same way of thinking.”
Public-domain text, read in full here on John Shaqi.
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