Comedy plays; English drama -- 19th century; Farces
COL. She'd accept it? Well, I'm glad she's coming to her senses at
last; and I shall go away all the more comfortable in my mind.
MRS. T. Go away?
COL. Yes. I'm off back again to Cheltenham. Touch of gout--liver
queer; besides, my work here is done. Your husband's affairs, which I
confess appeared to me at first sight to be in a state of hopeless
confusion, are now clearly and satisfactorily arranged, thanks to my
young colleague, Harry Barton, who, I must say, worked like a nigger
over them. By-the-bye, he's another victim to Miss Julia's caprice and
fastidiousness--she actually snubbed the poor fellow before she'd time
even to look at him, much less know him.
MRS. T. Well, you'll confess he bears his disappointment with becoming
resignation (_satirically_).
COL. Yes, he's getting used to it, like the eels. He doesn't see the
use of crying over spilt milk. By-the-bye, there's another matter of
five thousand pounds coming to the girls out of the Hampshire
property. But Barton will give you all the particulars.
MRS. T. I'm sure, cousin, I feel deeply indebted to you.
COL. Not half as much as you _ought_ to feel to Harry Barton. Hasn't
he been here twice a week for the last month, up to his elbows in
leases, loans, mortgages, and the deuce knows what? Oh! here he comes.
_Enter HARRY BARTON at C., a roll of papers under his arm, a
lawyer's blue bag in his hand, which he deposits on chair._
BART. (_bowing to MRS. TEMPLETON_). Your servant, madam. (_To
COLONEL._) Ah! my dear colonel, I hope you're well. But perhaps I
ought to apologize for entering unannounced. You may be engaged?
MRS. T. Not at all. I am aware, Mr. Barton, how deeply I am in your
debt; but now that the business which served as your first
introduction here is satisfactorily concluded, pray remember my house
is open to you as before (_BARTON bows_). You will kindly excuse me
now--a few orders to give (_courtesies and exit L. H.; at the same
moment the door at R. H. opens and JOSEPHINE peeps in_).
JOSEPHINE. Is the coast clear? (_watching MRS. TEMPLETON as she goes
out_). She's gone at last (_runs in_).
BART. (_meeting her_). Jo, dear Jo (_taking her hand, which he is
about to kiss_).
JOSEPHINE. Wait a minute! (_looking after MRS. TEMPLETON_). She's
quite disappeared; _now_ you may! (_holding out her hand to BARTON,
who kisses it_). And now (_turning to COLONEL_), you dear, good, kind
old uncle. Uncle is it, or cousin? I never know which.
COL. Don't you? It's simple enough. Your mother's elder brother's
second--never mind. Call me uncle.
JOSEPHINE. Well? Have you spoken to Aunt Martha?
BART. Yes. Have you broken the ice?
COL. Cracked it, that's all!
JOSEPHINE. And what was the result? Did she consent or not?
BART. Did she say yes or no?
JOSEPHINE. Why don't you speak? (_impatiently_).
BART. Why don't you say something? (_ditto_).
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account