Comenius and the Beginnings of Educational ReformMonroe, W. S. (Will Seymour)
History
Comenius and the Beginnings of Educational Reform
Monroe, W. S. (Will Seymour)
Comenius, Johann Amos, 1592-1670; Education -- History; Educational change -- History
The beginning of wisdom in the sciences consists, not in the mere
learning of the names of things, but in the actual perception of the
things themselves. It is after the thing has been grasped by the senses
that language should fulfil its function of still further explaining
it. The senses are the trusty servants of the memory, leading to
the permanent retention of the knowledge that has been acquired.
Reasoning, also, is conditioned and mediated by the experience gained
through sense-perception. It is evident, therefore, that if we
wish to develop a true love and knowledge of science, we must take
special care to see that everything is learned by actual observation
through sense-perception. This should be the golden rule of teachers:
Everything should as far as possible be placed before the senses.
When the objects themselves cannot be procured, representations of
them may be used; models may be constructed or the objects may be
represented by means of engravings. This is especially needful in
such studies as geography, geometry, botany, zoölogy, physiology, and
physics. It requires both labor and expense to produce models, but the
results of such aids will more than repay the efforts. In the absence
of both objects and models, the things may be represented by means of
pictures.[29]
2. _Arts._ “Theory,” says Vives, “is easy and short, but has no result
other than the gratification that it affords. Practice, on the other
hand, is difficult and prolix, but of immense utility.” Since this is
so, remarks Comenius, we should diligently seek out a method by which
the young may be easily led to the application of such natural forces
as one finds in the arts.
In the acquisition of an art, three things are required: (1) a model
which the pupil may examine and then try to imitate; (2) material on
which the new form is to be impressed; and (3) instruments by the aid
of which the work is accomplished. After these have been provided,
three things more are necessary before an art can be learned—a proper
use of the materials, skilled guidance, and frequent practice.
Public-domain text, read in full here on John Shaqi.
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