Comfort Found in Good Old BooksFitch, George Hamlin
General
Comfort Found in Good Old Books
Fitch, George Hamlin
Books and reading
And here let me advise the hearing of good actors in Shakespeare as a
means of culture. All the great Shakespearean actors are gone, but
Mantell remains, and he, though not equal to Booth, is, to my mind, far
more convincing than Irving. Mantell's Lear is the essence of great
acting--something to recall with rare pleasure. Edwin Booth I probably
saw in _Hamlet_ a score of times in twice that many years, but never did
I see him without getting some new light on the melancholy Dane. Even on
successive nights Booth was never just the same, as his mood tinged his
acting. His sonorous voice, his perfect enunciation, his graceful
gestures, above all his striking face, alive with the light of
genius--these are memories it is a delight to recall.
To develop appreciation of Shakespeare I would advise reading the plays
aloud. In no other way will you be able to savor the beauty and the
melody of the blank verse. It was my good fortune while an undergraduate
at Cornell University to be associated for four years with Professor
Hiram Corson, then head of the department of English literature. Corson
believed in arousing interest in Shakespeare by reading extracts from
the best plays, with running comment on the passages that best
illustrated the poet's command of all the resources of blank verse. His
voice was like a fine organ, wonderfully developed to express every
emotion, and I can recall after nearly forty years as though it were but
yesterday the thrilling effect of these readings. No actor on the stage,
with the single exception of Edwin Booth, equaled Corson in beauty of
voice or in power of expression.
The result of these readings, with the comment that came from a mind
stored with Shakespearean lore, was to stir one's ambition to study the
great plays. Recalling the liberal education that came from Corson's
readings, I have been deeply sorry for college students whom I have seen
vainly trying to appreciate Shakespeare's verse as read by professors
with harsh, rasping, monotonous voices that killed the beauty of rhyme
and meter as a frost kills a fine magnolia blossom breathing perfume
over a garden. When will college presidents awake to the fact that book
learning alone cannot make a successful professor of English literature,
when the man is unable to bring out the melody of the verse? Similar
folly is shown by the theological schools that continue to inflict upon
the world preachers whose faulty elocution makes a mock of the finest
passages of the Bible.
Public-domain text, read in full here on John Shaqi.
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