Now and then she used to be driven over to play with the young Réchamps,
and Jean remembered her as an ugly little girl in a plaid frock, who
used to invent wonderful games and get tired of playing them just as the
other children were beginning to learn how. But her domineering ways
and searching questions did not meet with his mother’s approval, and her
visits were not encouraged. When she was seventeen her guardian died
and left her a little money. The maiden sister had gone dotty, there was
nobody to look after Yvonne, and she went to Paris, to an aunt, broke
loose from the aunt when she came of age, set up her studio, travelled,
painted, played the violin, knew lots of people; and never laid eyes on
Jean de Réchamp till about a year before the war, when her guardian’s
place was sold, and she had to go down there to see about her interest
in the property.
The old Réchamps heard she was coming, but didn’t ask her to stay.
Jean drove over to the shut-up chateau, however, and found Mlle. Malo
lunching on a corner of the kitchen table. She exclaimed: “My little
Jean!” flew to him with a kiss for each cheek, and made him sit down and
share her omelet.... The ugly little girl had shed her chrysalis--and
you may fancy if he went back once or twice!
Mlle. Malo was staying at the chateau all alone, with the farmer’s wife
to come in and cook her dinner: not a soul in the house at night but
herself and her brindled sheep dog. She had to be there a week, and
Jean suggested to his people to ask her to Réchamp. But at Réchamp they
hesitated, coughed, looked away, said the sparerooms were all upside
down, and the valet-de-chambre laid up with the mumps, and the cook
short-handed--till finally the irrepressible grandmother broke out: “A
young girl who chooses to live alone--probably prefers to live alone!”
There was a deadly silence, and Jean did not raise the question again;
but I can imagine his blue eyes getting obstinate.
Public-domain text, read in full here on John Shaqi.
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