138. What orator could do justice to the scene which Moses depicts in one word: "Cain rose up against his brother?" Many descriptions of cruelty are to be found on every hand, but could any be painted as more atrocious and execrable than is the case here? "He rose up against his brother," Moses writes. It is as if he had said, Cain rose up against Abel, the only brother he had, with whom he had been brought up and with whom he had lived to that day. But not only the relationship Cain utterly forgot; he forgot their common parents also. The greatness of the grief he would cause his parents by such a grave crime, never entered his mind. He did not think that Abel was a brother, from whom he had never received any offense whatever. For Cain knew that the honor of having offered the more acceptable sacrifice, proceeded not from any desire or ambition in Abel, but from God himself. Nor did Cain consider that he, who had hitherto stood in the highest favor with his parents, would lose that favor altogether and would fall under their deepest displeasure as a result of his crime. 139. It is recorded in history of an artist who painted the scene of Iphigenia's sacrifice, that when he had given to the countenance of each of the spectators present its appropriate expression of grief and pain, he found himself unable to portray the vastness of the father's grief, who was present also, and hence painted his head draped. 140. Such is the method, I think, Moses employs in this passage, when he uses the verb _yakam_, "Rose up against." What tragical pictures would the eloquence of a Cicero or a Livy have drawn in an attempt to portray, through the medium of their oratory, the wrath of the one brother, and the dread, the cries, the prayers, the tears, the uplifted hands, and all the horrors of the other! But not even in that way can justice be done to the subject. Moses, therefore, pursues the right course, when he portrays, by a mere outline, things too great for utterance. Such brevity tends to enlist the reader's undivided attention to a subject which the vain adornment of many words disfigures and mars, like paint applied to natural beauty. 141. This is true also of the additional statement, "He slew him." Occasionally we see men start a quarrel and commit murder for a trivial cause, but no such ordinary murder is described here. Murderers of this kind immediately afterward are filled with distress; they grieve for the deeds they have done and acknowledge them to be delusions of the devil by which he blinded their minds. Cain felt no distress; he expressed no grief, but denied the deed he had done.