The fourth woman carries the maize deity E. 13 is his sign and the food
hieroglyphs, Imix-Kan in 16, agree with it.
The fifth woman seems to carry the somewhat indistinct form of D, if this
may be inferred from the Ahau of the 17th sign. 20 is the universal sign a.
This ends the six Tonalamatls, which are represented in what I have called
the section of the burden-bearing women. Five other Tonalamatls follow,
which again suggest the idea of conception, which we met once before on
pages 13c-14c.
Page 19b.
X 29 XIII 23 X
Ik
Ix
Cimi
Ezanab
Oc
The most frequent sign in the five Tonalamatls, which I have grouped
together, is the cross _b_, which plays the most important part in all the
Tonalamatls, excepting the third, which differs from the rest also in other
respects. It is essentially the sign for union, referring in the case of
the stars to their conjunction and here to sexual union.
In this Tonalamatl we see the cross in hieroglyphs 1 and 5, the sign for
woman in 2 and 6, and their determinatives in 3 and 7.
The first woman has a deity facing her who is devoid of all characteristic
marks, and sign 4 is also nothing but the universal a.
The second woman whose eyes are closed, sits facing A, whose hieroglyph is
in 8.
Pages 19b--20b.
VI 28 VIII 24 VI
Cib
Lamat
Ahau
Eb
Kan.
The arrangement of this Tonalamatl is very similar to that of the
preceding.
Hieroglyphs 1 and 5 are again the cross, and 2 and 6 the signs for woman.
The first picture is wanting; hieroglyph 3 with the number 7 as a prefix
denotes a deity with whom I am not familiar. The same sign is found on page
50, left, middle; in 4 the usual head _q_ is added.
Beside the woman in the second group--not facing her--is the serpent deity
H, again, as on pages 11c and 12b, with the nose-peg resembling a flower.
His sign is 7 to which in 8 the familiar Ahau is again added.
Page 20b.
II 20 IX 19 II 13 II
Cauac
Chuen
Akbal
Men
Manik.
The hieroglyphs stand thus:--
1 2 5 9
3 4 6 10
7 11
8 12.
The subject now passes into the province of astronomy. This is already
proved by sign 1, which represents the clouds, between which the sun or
moon is usually pictured; the sun is probably omitted here merely owing to
limited space. Sign 3 suggests the storm-god K (compare pages 7a and 47
left) to which in 2 the Ahau might be appropriately added, inasmuch as it
rules the year here under consideration as on pages 25b to 26c. On account
of the Ben-Ik sign I see in 4 one of the months of 28 days as a more exact
determination of time. Below the Ben-Ik a head is represented with eyes
apparently closed, and this head is repeated in 6 and 10, though, probably
for lack of space, without the Ben-Ik. In each of the three places a sign
is used as an affix which might readily be the year sign, contracted
laterally.
Public-domain text, read in full here on John Shaqi.
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