Pages 21c--22c. Caban 5 21 16 10 Muluc Imix Ben Chicchan. This is a Tonalamatl of five parts in which the red numerals are wanting. The hieroglyphs are in the following order:-- 1 2 5 6 9 11 13 3 4 7 8 10 12 14 15 16. Among these are hieroglyphs which are common to all the groups:--the cross in 1, 5 and 9 and the woman in 3, 7 and 15. In 13 this cross is replaced by another sign, perhaps that for the year of 360 days, and in 12 the sign for woman is replaced by the universal a. Each of the three pictures contains a woman facing a deity. I will consider first the second picture in which H is the deity, as is proved by hieroglyph 6 to which an Imix is added in 8, with the uplifted arm prefixed as in 10c and 13a. Between the first and third pictures there is some confusion. The first is D, for while his type inclines more to that of N, the other old god of the Maya Olympus, comparison with 23c clearly shows that D is intended here. But the year-sign on his head also suggests in some measure the Uayeyab god N and moreover this sign does not belong to D and only occurs again with him on page 23c. Further, there is no hieroglyph at all for D and instead we find in 2, 5 Zac, the regular sign of N. Also sign 4 fits N better than it does D. Furthermore this passage relates to the day Ik, which might very well be the last day of the year. On the other hand the third picture contains, unquestionably, the figure of N. I look for his sign in the 11th hieroglyph, which is the head of an old man with a prefixed 4, referring to the four different forms of N in the Kan, Muluc, Ix and Cauac years. The Ahau in 12, however, does not fit N, but D. This confusion can only be adjusted by transferring D from the first group to the third and also, perhaps, the sign of the woman in 3, which applies to all the three groups, and by transferring to the first group N and the 11th sign of the third group. The fourth group has no picture. It should have, as hieroglyph 14 shows, the god F, who represents death by violence in human sacrifice and the chase. The hieroglyph Cimi in the 16th place is a suitable sign for this deity. Pages 22c--23c. II 10 XII 12 XI 9 VII 6 XIII 7 VII 8 II Oc Ik Ix Cimi Ezanab. The hieroglyphs are arranged in the following order:-- 1 2 5 6 9 13 14 17 18 21 22 3 4 7 8 10 15 16 19 20 23 24. 11 12 This Tonalamatl, the fifth and last of this section, presents much that is irregular and puzzling. It can hardly be said that there are comprehensive hieroglyphs here, forming the heading of the six groups. The sign for woman occurs only in 2, 8 and 24, and the cross _b_ only in 14 and 18, but it is sufficient to make it clear that here, too, connection with a woman is the principal theme. Let us pass, therefore, directly to the single groups.