Common Cause: A Novel of the War in America — John Shaqi
Common Cause: A Novel of the War in AmericaAdams, Samuel Hopkins
General
Common Cause: A Novel of the War in America
Adams, Samuel Hopkins
World War, 1914-1918 -- United States -- Fiction
“You seem to feel strongly about it.”
“Not in working hours. Have n’t got any feelings. I’m a reporter.”
From this point the programme was exclusively in German. The next
speaker, Pastor Klink, rose and glorified God, a typically if not
exclusively German God. Emil Bausch, following, extolled the Kaiser
rather more piously than his predecessor had glorified the Kaiser’s
Creator. Martin Dolge apostrophized the spirit of Deutschtum, which, if
one might believe him, was invented by the Creator and improved by the
Kaiser. Just here occurred an unfortunate break in the programme. The
next speaker on the list had been called out, and an interim must be
filled while he was retrieved. The chairman motioned to the band leader
for music. Whether in a spirit of perversity or by sheer, unhappy
chance, the director led his men in the strains of “The Star-Spangled
Banner.”
In justice to our citizens of German descent and allegiance, it must
be admitted that they are of equable spirit. Nobody openly resented the
playing of the national anthem. A glance of disapproval passed between
the professorial envoy from Germany and Pastor Klink, and some of the
others on the stage frowned momentarily. But their habitual tolerant
good nature at once reasserted itself. Of course, no one rose; that
gesture was reserved for the German national music. No one, that is who
counted, in that assemblage. But from the reporters’ seats Jeremy Robson
and Galpin dimly made out a figure, long-coated, straw-hatted and slim,
in the first row of the balcony’s farthest corner, standing stiffly
erect.
Around it buzzed a small disturbance. There were sounds of laughter,
which spread and mingled with a few calls of disapprobation. A woman
beside the erect figure seemed to be making an effort at dissuasion.
It was unavailing. On the stage there were curious looks and queries.
Presently the whole house was gazing at the slender, lone figure.
“Who’s the kid?” asked Jeremy Robson, interested.
“Don’t know him,” answered Galpin, staring.
“I like his nerve, anyway.”
“It’s better than his style,” commented the other, grinning. “If he’s
going to stand to attention, why does n’t he take off his hat?”
“Here’s another one,” said The Guardian reporter, turning toward the
lower tier box on their right.
An iron-gray, square-jawed man with shrewd and pleasant eyes, who, in
his obviously expensive but easy-fitting suit of homespun, gave the
impression of physical power, was shouldering his way to the rail. A
small American flag occupied a humble position in a group of insignia
ornamenting the next box. The man plucked it out and made as if he would
raise it above his head, then changed his mind. Holding it stiffly in
front of him he turned to face the distant figure, and so stood, grim,
awkward, solid, while the chosen voice of the Nation’s patriotism sang
to unheeding ears below.
Public-domain text, read in full here on John Shaqi.
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