From the preceding, we recapitulate the following causes for the pleasurable emotions which are felt in view of certain objects of sight, and in certain combinations of sound: They recall emotions which, in past experience, have been connected with the conception of operations and emotions of other minds, or with material objects that were regarded as the causes of pleasurable emotions to ourselves; they recall emotions that are congruous in their nature; they cause emotions of pleasure from the discovery of fitness in design and composition; and, finally, they awaken emotions of novelty. Emotions of taste that are painful are caused by the presence of objects that recall painful emotions with which they have formerly been connected; by objects that recall incongruous emotions; by objects that exhibit a want of fitness and design; and by objects that are common, when the mind has been led to expect novelty. OBJECTS, MOTIONS, AND SOUNDS THAT CAUSE EMOTIONS OF TASTE. The _causes_ which produce emotions of taste have now been pointed out. An inquiry as to _which_ are the objects, motions, and sounds, and their various combinations, that, in our experience, have awakened such emotions, may lead to facts that will establish the position assumed. Emotions of taste generally are divided into two classes, called emotions of _sublimity_ and emotions of _beauty_. Emotions of sublimity resemble those which exist in the mind at the display of great intellectual power, and at exhibitions of strong passion and emotions in another mind. Emotions of beauty resemble those which are experienced at the exhibition of the more gentle emotions of mind, such as pity, humility, meekness, and affection. _Of Sounds._ All sounds are sublime which in past experience have been associated with the strong emotions of fear and terror. Such sounds are heard in the roar of artillery, the howling of a storm, the roll of thunder, and the rumbling of an earthquake. Sounds are sublime, also, which convey an idea of great power and might. This is illustrated in the emotions felt at the uprooting of trees and the prostration of nature before a whirlwind; in the force of the rolling waves, as they dash against the cliffs; and in art, by the working of some ponderous and mighty engine, that astonishes with the immense resistance it can overcome. Other sounds, also, are sublime which have often been associated with emotions of awe, solemnity, or deep melancholy. Such are the tolling of a heavy bell and the solemn notes of the organ.