English literature -- History and criticism; Literature -- History and criticism
Milton has already reminded us that the Psalms belong to the second
of the three orders into which the Greeks, with clear discernment,
divided all poetry: the epic, the lyric, and the dramatic. The Psalms
are rightly called lyrics because they are chiefly concerned with the
immediate and imaginative expression of real feeling. It is the personal
and emotional note that predominates. They are inward, confessional,
intense; outpourings of the quickened spirit; self-revelations of the
heart. It is for this reason that we should never separate them in our
thought from the actual human life out of which they sprung. We must
feel the warm pulse of humanity in them in order to comprehend their
meaning and immortal worth. So far as we can connect them with the actual
experience of men, this will help us to appreciate their reality and
power. The effort to do this will make plain to us some other things
which it is important to remember.
We shall see at once that the book does not come from a single writer,
but from many authors and ages. It represents the heart of man in
communion with God through a thousand years of history, from Moses to
Nehemiah, perhaps even to the time of the Maccabean revival. It is,
therefore, something very much larger and better than an individual book.
It is the golden treasury of lyrics gathered from the life of the Hebrew
people, the hymn-book of the Jews. And this gives to it a singular and
precious quality of brotherhood. The fault, or at least the danger, of
modern lyrical poetry is that it is too solitary and separate in its
tone. It tends towards exclusiveness, over-refinement, morbid sentiment.
Many Christian hymns suffer from this defect. But the Psalms breathe a
spirit of human fellowship even when they are most intensely personal.
The poet rejoices or mourns in solitude, it may be, but he is not alone
in spirit. He is one of the people. He is conscious always of the ties
that bind him to his brother men. Compare the intense selfishness of the
modern hymn:
I can but perish if I go;
I am resolved to try;
For if I stay away, I know
I shall forever die;
with the generous penitence of the Fifty-first Psalm:
Then will I teach transgressors thy way;
And sinners shall be converted unto thee.
It is important to observe that there are several different kinds of
lyrics among the Psalms. Some of them are simple and natural outpourings
of a single feeling, like _A Shepherd’s Song about His Shepherd_, the
incomparable Twenty-third Psalm.
Public-domain text, read in full here on John Shaqi.
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