English literature -- History and criticism; Literature -- History and criticism
O enchanted city, great asylum in the mind of man, where ideals are
embodied, and visions take form and substance to parley with us!
Imagination rears thy towers and Fancy populates thy streets; yet art
thou a city that hath foundations, a dwelling eternal though unseen.
Ever building, changing, never falling, thy walls are open-gated day
and night. The fountain of youth is in thy gardens, the treasure of the
humble in thy storehouses. Hope is thy doorkeeper, and Faith thy warden,
and Love thy Lord. In thee the wanderer may take shelter and find
himself by forgetting himself. In thee rest and refreshment are waiting
for the weary, and new courage for the despondent, and new strength for
the faint. From thy magic casements we have looked upon unknown horizons,
and we return from thy gates to our task, our toil, our pilgrimage,
with better and braver hearts, knowing more surely that the things
which are seen were not made of things which do appear, and that the
imperishable jewels of the universe are in the souls of men. O city of
good enchantment, for my brethren and companions’ sakes I will now say:
Peace be within thee!
II
Of the outward appearance, or, as _Sartor Resartus_ would have called it,
the Time-Vesture and Flesh-Garment of that flaming light-particle which
was cast hither from Heaven in the person of Charles Dickens, and of his
ways and manners while he hasted jubilantly and stormfully across the
astonished Earth, something must be said here.
Charles Dickens was born at Portsea, in 1812, an offspring of what the
accurate English call the “lower middle class.” Inheriting something
from a father who was decidedly Micawberish, and a mother who resembled
Mrs. Nickleby, Charles was not likely to be a humdrum child. But the
remarkable thing about him was the intense, aspiring, and gaily sensible
spirit with which he entered into the business of developing whatever
gifts he had received from his vague and amiable parents.
The fat streak of comfort in his childish years, when his proud father
used to stand the tiny lad on a table to sing comic songs for an
applauding audience of relatives, could not spoil him. The lean streak
of misery, when the improvident family sprawled in poverty, with its
head in a debtors’ prison, while the bright, delicate, hungry boy roamed
the streets, or drudged in a dirty blacking-factory, could not starve
him. The two dry years of school at Wellington House Academy could not
fossilize him. The years from fifteen to nineteen, when he was earning
his bread as office-boy, lawyers’ clerk, shorthand reporter, could
not commercialize him. Through it all he burned his way painfully and
joyously.
Public-domain text, read in full here on John Shaqi.
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