English literature -- History and criticism; Literature -- History and criticism
His early experience of poverty made him at once tremendously sympathetic
and invincibly optimistic—both of which virtues belong to the poor
more than to the rich. Dickens understood this and never forgot it.
The chief moralities of his poor people are mutual helpfulness and
unquenchable hopefulness. From them, also, he caught the tone of material
comfort which characterizes his visions of the reward of virtue. Having
known cold and hunger, he simply could not resist the desire to make
his favourite characters—if they stayed on earth till the end of the
book—warm and “comfy,” and to give them plenty to eat and drink. This may
not have been artistic, but it was intensely human.
The same personal quality may be noted in his ardour as a reformer. No
writer of fiction has ever done more to better the world than Charles
Dickens. But he did not do it by setting forth programmes of legislation
and theories of government. As a matter of fact, he professed an
amusing “contempt for the House of Commons,” having been a Parliamentary
reporter; and of Sir Robert Peel, who emancipated the Catholics,
enfranchised the Jews, and repealed the Corn Laws, he thought so little
that he caricatured him as Mr. Pecksniff.
Dickens felt the evils of the social order at the precise point where
the shoe pinched; he did not go back to the place where the leather was
tanned or the last designed. It was some practical abuse in poorhouses
or police-courts or prisons; it was some hidden shame in the conduct of
schools, or the renting of tenements; it was some monumental absurdity
in the Circumlocution Office, some pompous and cruel delay in the course
of justice, that made him hot with indignation. These were the things
that he assailed with Rabelaisian laughter, or over which he wept with a
deeper and more sincere pity than that of Tristram Shandy. His idea was
that if he could get people to see that a thing was both ridiculous and
cruel, they would want to stop it. What would come after that, he did not
clearly know, nor had he any particularly valuable suggestions to make,
except the general proposition that men should do justly, and love mercy,
and walk humbly with their God.
He took no stock in the doleful predictions of the politicians that
England was in an awful state merely because Lord Coodle was going out of
office, and Sir Thomas Doodle would not come in, and each of these was
the only man to save the country. The trouble seemed to him deeper and
more real. It was a certain fat-witted selfishness, a certain callous,
complacent blindness in the people who were likely to read his books. He
conceived that his duty as a novelist was done when he had shown up the
absurd and hateful things, and made people laugh at their ugliness, weep
over their inhumanity, and long to sweep them away.
Public-domain text, read in full here on John Shaqi.
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