English literature -- History and criticism; Literature -- History and criticism
Mr. Chesterton defends Dickens for his attack upon the American practice
of book-stealing which grew out of the absence of an International
Copyright Law. He says that it was only the new, raw sensibility of the
Americans that was hurt by these speeches. “Dickens was not in the least
desirous of being thought too ‘high-souled’ to want his wages.... He
asked for his money in a valiant and ringing voice, like a man asking for
his honour.” And this, Mr. Chesterton leaves us to infer, is what any
bold Englishman, as distinguished from a timidly refined American, would
do.
Precisely. But if the bold Englishman had been gently-bred would he have
accepted an invitation to dinner in order that he might publicly say
to his host, in a valiant and ringing voice, “You owe me a thousand
pounds”? Such procedure at the dinner-table is contrary not only to good
manners but also to good digestion. This is what Mr. Chesterton’s bold
British constitution apparently prevents him from seeing. What Dickens
said about international copyright was right. But he was wretchedly wrong
in his choice of the time and place for saying it. The natural irritation
which his bad taste produced was one of the causes which delayed for
fifty years the success of the efforts of American authors to secure
copyright for foreign authors.
The same criticism applies to the _American Notes_. Read them again and
you will see that they are not bad notes. With much that he says about
Yankee boastfulness and superficiality, and the evils of slavery, and the
dangers of yellow journalism, every sane American will agree to-day. But
the occasion which Dickens took for making these remarks was not happily
chosen. It was as if a man who had just been entertained at your house
should write to thank you for the pleasure of the visit, and improve the
opportunity to point out the shocking defects of your domestic service
and the exceedingly bad tone which pervaded your establishment. Such a
“bread-and-butter letter” might be full of good morals, but their effect
would be diminished by its bad manners. Of this Dickens was probably
quite unconscious. He acted spontaneously, irrepressibly, vivaciously,
in accordance with his own taste; and it surprised and irritated him
immensely that people were offended by it.
Public-domain text, read in full here on John Shaqi.
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