I suspect that male Sharp-tailed Sparrows do not even know where nests are. On July 18 at 7:00 a.m. I was watching a nest from a nearby blind when an unbanded male (I saw the individual sing later) appeared. As the bird foraged through the black grass, it headed directly toward the nest. When the male was almost one foot from the nest the incubating female left. She ran from the tussock and flew a short distance away to a cattail stem. From here she watched the male, which seemingly oblivious continued foraging, coming within inches of the nest. As the male walked away from the nest the female returned. At 8:00 p.m. the same day I was in the blind again. The female was out searching for food when a different, banded male appeared. In his foraging, the male walked up on the grass stems over the nest. The male apparently saw the young (two had hatched on July 17 and one on July 18) for he turned his head and seemed to peer down under the stems. The female appeared (with food) as he was doing this; she flew directly toward him and he flew away. The male was not seen near the nest in later observations. On July 1 (6:50 a.m.) I was in a blind near another nest as the female approached with food for the young. At this moment a male appeared and the female immediately flew away. The male perched on a tussock within two feet of the nest, sang, and then flew off. The female reappeared in a few seconds without the food. She searched through a clump of black grass four feet from the nest, caught a small, pale green insect, fed it to her one young (there were also two eggs in the nest) and began brooding. VOICE _Song_ Only males of the two species sing. The normal song of the Seaside Sparrow lasts just under two seconds, the buzzing final note constituting three-quarters of the song. Saunders (1951:257-258) describes this song as short, and buzzlike, beginning with two or three short, rather faint notes and ending in a trill at first loud but fading away toward the end. The introductory notes are followed by a higher-pitched, loud, strongly accented, but buzzy note. This note is usually higher than the final trill and connected with it. The song has been written as _tup tup ZEE reeeeeeeeee_ and _tup TEE tle reeeeeeeeeee_ (Saunders, 1951:257), _cutcut_, _zhé-eeeeeeeee_ (Peterson, 1947:232) and _che-zheéeege_, _che-zhée_, _che-wéege_, _chur-zhée_ and _too-szheée_ (Stone, 1937:910). My field notes contain the following: _CHUR-er eeeee_, _CHUR eeeeee_ and _oka-CHE weeeee_. These variations in the phonetic representation of the songs are attributable mostly to the birds. Not only is there variation among individuals, but also individuals vary their songs. Birds that I heard giving a characteristic song suddenly sang a different type for awhile, and then reverted to the original. The bill is elevated and opens considerably with each note; the head bobs with the loud note. Typical singing postures are shown by Tomkins (1941: pl. 3).