Comparative Studies in Nursery RhymesEckenstein, Lina
History
Comparative Studies in Nursery Rhymes
Eckenstein, Lina
Comparative literature; Nursery rhymes -- Bibliography; Nursery rhymes -- History and criticism
My father left me three acres of land,
Sing sing, sing sing,
My father left me three acres of land,
Sing holly, go whistle and sing.
I ploughed it with a ram's horn,
And sowed it with one pepper corn.
I harrowed it with a bramble bush,
And reaped it with a little pen knife.
I got the mice to carry it to the mill,
And thrashed it with a goose's quill.
I got the cat to carry it to the mill,
The miller swore he would have her paw,
And the cat she swore she would scratch his face.
(_N. & Q._, VII. 8.)
Another nursery piece is recorded by Halliwell which, in simple form
relates concerning _Billy my son_ the sequence of events which underlies
the famous romantic ballad of Lord Randal.[27] The story is current also
in Scotland relating to _The Croodin Doo_ (1870, p. 51); it was told
also some eighty years ago in Lincolnshire, of _King Henry my son_ (_N.
& Q._, 8, VI, 427). The romantic ballad in five verses, as told of
Lairde Rowlande, relates how he came from the woods weary with hunting
and expecting death. He had been at his true love's, where he ate of the
food which poisoned his warden and his dogs. In the nursery version the
tragedy is told in the following simple form:--
Where have you been to-day, Billy my son?
Where have you been to-day, my only man?--
I've been a wooing, mother; make my bed soon,
For I'm sick at heart, and fain would lie down.
What have you ate to-day, Billy my son?
What have you ate to-day, my only man?--
I've eat eel pie, mother; make my bed soon,
For I am sick at heart, and shall die before noon. (1849, p. 259.)
[27] _Ibid._, I, 157: Lord Randal.
Other nursery pieces deal with Tommy Linn, the Tam Linn of romance, who
is the hero of many famous romantic ballads. The name of Tam Linn goes
some way back in history. For the _Tayl of young Tamlene_, according to
Vedderburn's _Complaint of Scotland_, of 1549, was told among a company
of shepherds, and the name appears also as that of a dance, _A Ballett
of Thomalyn_, as far back as 1558.[28]
[28] _Ibid._, I, 256: Tamlene.
According to the romantic ballads, Tam Linn fell under the influence of
the fairies through sleeping under an apple tree, and they threatened to
take him back as their own on Hallowe'en, when they rode abroad once in
seven years and had the right to claim their due. Tam Linn told the
woman who loved him that she must hold him fast, whatever shape he
assumed owing to the enchantment of the witches, and that she must cast
him into water as soon as he assumed the shape of a _gled_. He would
then be restored to human form.
Tam Linn of romance figures in nursery lore as Tommy Linn. His exploits
were printed by Halliwell in one of the numerous versions that are
current in the north. In these pieces Tommy Linn has only this in common
with Tam Linn of romance, that he too is ready with a suggestion
whatever mishap befalls.
Public-domain text, read in full here on John Shaqi.
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