[55] Tylor, E. B., _Primitive Culture_, I, 87, citing Mendes, _Service for the First Nights of the Passover_, 1862. And so forth to the last verse, which is as follows:-- Who knoweth thirteen?--I, saith Israel, know thirteen: Thirteen divine attributes--twelve tribes--eleven stars--ten commandments--nine months preceding childbirth--eight days preceding circumcision--seven days of the week--six books of the Mishnah--five books of the Law--four matrons--three patriarchs--two tables of the covenant--but One is our God, who is over the heavens and the earth. The same chant adapted to matters of Christian belief, but carried only from one to twelve, is current also in Latin, Italian, Spanish, French, German, and Danish. Among ourselves it is set as a song. But the objects which are associated with the numbers are not uniformly the same, and this renders it probable that the chants were composed independently of one another. This view is supported by the fact that some of the items that are named in the Christian chants are not Christian, and are, in fact, identical with the items named in the entirely heathen chants. The Latin version of the Chant of the Creed has been traced back to the second half of the sixteenth century. Its words were set to music in a motet for thirteen voices by Theodor Clinius (d. 1602), a Venetian by birth (E., p. 408). Another Latin version of the chant goes back to 1650. The chant begins:-- Dic mihi quid unus? --Unus est Jesus Christus [_or_ Deus] qui regnat in aeternum [_or_ coelis]. (A., I, 420.) "Tell me, what is One? One is Jesus Christ [_or_ God] who reigns in eternity [_or_ in heaven]." The answers further explain two as the testaments, three as the patriarchs, four as the evangelists, five as the books of Moses, six as the water-jugs of Cana in Galilee, seven as the gifts of the spirit (_or_ the candelabra lit before God), eight as the beatitudes, nine as the orders (_or_ choirs of the angels), ten as the commandments, eleven as the disciples (_or_ stars seen by Joseph), twelve as the articles of the faith (_or_ the apostles). The Chant of the Creed as recited in Spain (A., II, 142) is set in the same form, and explains the numbers in much the same manner, except that six are the days of the Creation, and eleven are eleven thousand virgins. Another version (A., II, 104) associates the Virgin with one, the three Maries with three, while nine, like the Hebrew chant, indicates the months of expectancy of the Virgin. In a Portuguese version also, nine are the months of Christ's becoming, and eleven are eleven thousand virgins (A., II, 102).