Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
For the hundredth time that month he turned over this problem. There was
no use in rushing into things! He was very comfortably off, with an
increasing income getting on for three thousand a year; but his invested
capital was not perhaps so large as his father believed--James had a
tendency to expect that his children should be better off than they were.
'I can manage eight thousand easily enough,' he thought, 'without calling
in either Robertson's or Nicholl's.'
He had stopped to look in at a picture shop, for Soames was an 'amateur'
of pictures, and had a little-room in No. 62, Montpellier Square, full
of canvases, stacked against the wall, which he had no room to hang. He
brought them home with him on his way back from the City, generally after
dark, and would enter this room on Sunday afternoons, to spend hours
turning the pictures to the light, examining the marks on their backs,
and occasionally making notes.
They were nearly all landscapes with figures in the foreground, a sign of
some mysterious revolt against London, its tall houses, its interminable
streets, where his life and the lives of his breed and class were passed.
Every now and then he would take one or two pictures away with him in a
cab, and stop at Jobson's on his way into the City.
He rarely showed them to anyone; Irene, whose opinion he secretly
respected and perhaps for that reason never solicited, had only been into
the room on rare occasions, in discharge of some wifely duty. She was
not asked to look at the pictures, and she never did. To Soames this was
another grievance. He hated that pride of hers, and secretly dreaded it.
In the plate-glass window of the picture shop his image stood and looked
at him.
His sleek hair under the brim of the tall hat had a sheen like the hat
itself; his cheeks, pale and flat, the line of his clean-shaven lips, his
firm chin with its greyish shaven tinge, and the buttoned strictness of
his black cut-away coat, conveyed an appearance of reserve and secrecy,
of imperturbable, enforced composure; but his eyes, cold,--grey,
strained--looking, with a line in the brow between them, examined him
wistfully, as if they knew of a secret weakness.
He noted the subjects of the pictures, the names of the painters, made a
calculation of their values, but without the satisfaction he usually
derived from this inward appraisement, and walked on.
No. 62 would do well enough for another year, if he decided to build!
The times were good for building, money had not been so dear for years;
and the site he had seen at Robin Hill, when he had gone down there in
the spring to inspect the Nicholl mortgage--what could be better! Within
twelve miles of Hyde Park Corner, the value of the land certain to go up,
would always fetch more than he gave for it; so that a house, if built in
really good style, was a first-class investment.
Public-domain text, read in full here on John Shaqi.
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