Complete Project Gutenberg John Galsworthy WorksGalsworthy, John
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Complete Project Gutenberg John Galsworthy Works
Galsworthy, John
English literature -- 20th century; Literature -- Collections
In this house of his there was writing on every wall. His business-like
temperament protested against a mysterious warning that she was not made
for him. He had married this woman, conquered her, made her his own, and
it seemed to him contrary to the most fundamental of all laws, the law of
possession, that he could do no more than own her body--if indeed he
could do that, which he was beginning to doubt. If any one had asked him
if he wanted to own her soul, the question would have seemed to him both
ridiculous and sentimental. But he did so want, and the writing said he
never would.
She was ever silent, passive, gracefully averse; as though terrified lest
by word, motion, or sign she might lead him to believe that she was fond
of him; and he asked himself: Must I always go on like this?
Like most novel readers of his generation (and Soames was a great novel
reader), literature coloured his view of life; and he had imbibed the
belief that it was only a question of time.
In the end the husband always gained the affection of his wife. Even in
those cases--a class of book he was not very fond of--which ended in
tragedy, the wife always died with poignant regrets on her lips, or if it
were the husband who died--unpleasant thought--threw herself on his body
in an agony of remorse.
He often took Irene to the theatre, instinctively choosing the modern
Society Plays with the modern Society conjugal problem, so fortunately
different from any conjugal problem in real life. He found that they too
always ended in the same way, even when there was a lover in the case.
While he was watching the play Soames often sympathized with the lover;
but before he reached home again, driving with Irene in a hansom, he saw
that this would not do, and he was glad the play had ended as it had.
There was one class of husband that had just then come into fashion, the
strong, rather rough, but extremely sound man, who was peculiarly
successful at the end of the play; with this person Soames was really not
in sympathy, and had it not been for his own position, would have
expressed his disgust with the fellow. But he was so conscious of how
vital to himself was the necessity for being a successful, even a
'strong,' husband, that he never spoke of a distaste born perhaps by the
perverse processes of Nature out of a secret fund of brutality in
himself.
But Irene's silence this evening was exceptional. He had never before
seen such an expression on her face. And since it is always the unusual
which alarms, Soames was alarmed. He ate his savoury, and hurried the
maid as she swept off the crumbs with the silver sweeper. When she had
left the room, he filled his glass with wine and said:
"Anybody been here this afternoon?"
"June."
"What did she want?" It was an axiom with the Forsytes that people did
not go anywhere unless they wanted something. "Came to talk about her
lover, I suppose?"
Irene made no reply.
Public-domain text, read in full here on John Shaqi.
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