THE EDITOR’S RELATIONS WITH THE YOUNG CONTRIBUTOR I. II. III. IV. V. VI. LAST DAYS IN A DUTCH HOTEL I. II. III IV V. VI. VII. VIII. SOME ANOMALIES OF THE SHORT STORY I. II. III. IV. V. VI. SPANISH PRISONERS OF WAR I. II. III. IV. AMERICAN LITERARY CENTRES I. II. III. IV. V. THE STANDARD HOUSEHOLD-EFFECT COMPANY I. II. STACCATO NOTES OF A VANISHED SUMMER I. II. III. IV. V. SHORT STORIES AND ESSAYS WORRIES OF A WINTER WALK I. II. III. SUMMER ISLES OF EDEN I. II. III. IV. WILD FLOWERS OF THE ASPHALT I. II. III. IV A CIRCUS IN THE SUBURBS I. II. III. IV. A SHE HAMLET I. II. III. THE MIDNIGHT PLATOON I. II. III. IV. V. THE BEACH AT ROCKAWAY I. II. III. IV. V. VI. SAWDUST IN THE ARENA I. II. III. AT A DIME MUSEUM I. II. AMERICAN LITERATURE IN EXILE I. II. THE HORSE SHOW I. II. III. IV. THE PROBLEM OF THE SUMMER I. II. III. AESTHETIC NEW YORK FIFTY-ODD YEARS AGO I. II. FROM NEW YORK INTO NEW ENGLAND I. II. III. IV. V. THE ART OF THE ADSMITH I. II. III. THE PSYCHOLOGY OF PLAGIARISM I. II. PURITANISM IN AMERICAN FICTION I. II. THE WHAT AND THE HOW IN ART I. II. III. POLITICS OF AMERICAN AUTHORS I. II. III. IV. STORAGE I. II. III. IV “FLOATING DOWN THE RIVER ON THE O-HI-O” I. II. III. IV. V. VI. MY LITERARY PASSIONS BIBLIOGRAPHICAL I. THE BOOKCASE AT HOME II. GOLDSMITH III. CERVANTES IV. IRVING V. FIRST FICTION AND DRAMA VI. LONGFELLOW’S “SPANISH STUDENT” VII. SCOTT VIII. LIGHTER FANCIES IX. POPE X. VARIOUS PREFERENCES XI. UNCLE TOM’S CABIN XII. OSSIAN XIII. SHAKESPEARE XIV. IK MARVEL XV. DICKENS XVI. WORDSWORTH, LOWELL, CHAUCER XVII. MACAULAY XVIII. CRITICS AND REVIEWS XIX. A NON-LITERARY EPISODE XX. THACKERAY XXI. “LAZARILLO DE TORMES” XXII. CURTIS, LONGFELLOW, SCHLEGEL XXIII. TENNYSON XXIV. HEINE XXV. DE QUINCEY, GOETHE, LONGFELLOW XXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINE XXVII. CHARLES READE XXVIII. DANTE XXIX. GOLDONI, MANZONI, D’AZEGLIO XXX. “PASTOR FIDO,” “AMINTA,” “ROMOLA,” “YEAST,” “PAUL FERROLL” XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSON XXXII. TOURGUENIEF, AUERBACH XXXIII. CERTAIN PREFERENCES AND EXPERIENCES XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY XXXV. TOLSTOY CRITICISM AND FICTION