Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My FancyWhitman, Walt
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Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy
Whitman, Walt
American literature
Then the camps of the wounded--O heavens, what scene is this?--is this
indeed _humanity_--these butchers' shambles? There are several of them.
There they lie, in the largest, in an open space in the woods, from 200
to 300 poor fellows--the groans and screams--the odor of blood,
mixed with the fresh scent of the night, the grass, the trees--that
slaughter-house! O well is it their mothers, their sisters cannot see
them--cannot conceive, and never conceiv'd, these things. One man is
shot by a shell, both in the arm and leg--both are amputated--there
lie the rejected members. Some have their legs blown off--some bullets
through the breast--some indescribably horrid wounds in the face
or head, all mutilated, sickening, torn, gouged out--some in the
abdomen--some mere boys--many rebels, badly hurt--they take their
regular turns with the rest, just the same as any--the surgeons use
them just the same. Such is the camp of the wounded--such a fragment, a
reflection afar off of the bloody scene--while all over the clear, large
moon comes out at times softly, quietly shining. Amid the woods,
that scene of flitting souls--amid the crack and crash and yelling
sounds--the impalpable perfume of the woods--and yet the pungent,
stifling smoke--the radiance of the moon, looking from heaven at
intervals so placid--the sky so heavenly the clear-obscure up there,
those buoyant upper oceans--a few large placid stars beyond, coming
silently and languidly out, and then disappearing--the melancholy,
draperied night above, around. And there, upon the roads, the fields,
and in those woods, that contest, never one more desperate in any age or
land--both parties now in force--masses--no fancy battle, no semi-play,
but fierce and savage demons fighting there--courage and scorn of death
the rule, exceptions almost none.
Public-domain text, read in full here on John Shaqi.
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