What sayest thou now, Epicurus? Wilt thou get thee up betimes in the morning, and go to the theatre to hear the harpers and flutists play? But if a Theophrastus discourse at the table of Concords, or an Aristoxenus of Varieties, or if an Aristophanes play the critic upon Homer, wilt thou presently, for very dislike and abhorrence, clap both thy hands upon thy ears? And do they not hereby make the Scythian king Ateas more musical than this comes to, who, when he heard that admirable flutist Ismenias, detained then by him as a prisoner of war, playing upon the flute at a compotation, swore he had rather hear his own horse neigh? And do they not also profess themselves to stand at an implacable and irreconcilable defiance with whatever is generous and becoming? And indeed what do they ever embrace or affect that is either genteel or regardable, when it hath nothing of pleasure to accompany it? And would it not far less affect a pleasurable way of living, to abhor perfumes and odors, like beetles and vultures, than to shun and abhor the conversation of learned, critics and musicians? For what flute or harp ready tuned for a lesson, or What sweetest concerts e'er with artful noise, Warbled by softest tongue and best tuned voice, ever gave Epicurus and Metrodorus such content as the disputes and precepts about concerts gave Aristotle, Theophrastus, Hieronymus, and Dicaerchus? And also the problems about flutes, rhythms, and harmonies; as, for instance, why the longer of two flutes of the same longitude should speak flatter?--why, if you raise the pipe, will all its notes be sharp; and flat again, if you depress it?--and why, when clapped to another, will it sound flatter; and sharper again, when taken from it?--why also, if you scatter chaff or dust about the orchestra of a theatre, will the sound be deadened?--and why, when one would have set up a bronze Alexander for a frontispiece to a stage at Pella, did the architect advise to the contrary, because it would spoil the actors' voices? and why, of the several kinds of music, will the chromatic diffuse and the harmonic compose the mind? But now the several humors of poets, their differing turns and forms of style, and the solutions of their difficult places, have conjoined with a sort of dignity and politeness somewhat also that is extremely agreeable and charming; insomuch that to me they seem to do what was once said by Xenophon, to make a man even forget the joys of love, so powerful and overcoming is the pleasure they bring us.