He leaned over and looked at the flowing Neva, knowing he would not soon
see the graceful river again. Over the gulf of Finland, clouds were
hanging, but the prisoner searched for patches of blue sky. The sun was
going down, wearily perhaps, but proudly, for as it slowly sank below
the horizon it left behind it gossamer colors of sapphire and scarlet,
with glint and glow of gold. (And the officer snored.)
The carriage turned to the left and entered a dark passage. Kropotkin
was now within the gate of the Cemetery for the Living, the mouldy,
murderous Tomb of Torture. Thru his mind flashed all the horrors of this
famous prison whose dreaded name is uttered only in a voice hushed and
awed.[28] Within these walls the Decembrists became martyrs. Here
Nechaev--in the gloomy Alexis ravelin[29]--was kept a prisoner for life.
Here Perovskaya had been confined. Here was incarcerated the
poet-prince Odoevsky, about whose early death the banished Lermontov
wrote so tender an elegy.
The carriage stopped before another gate which was opened by soldiers.
Here Catherine II.[30] buried alive all who opposed her abominations.
Here the terrible Minich tortured his enemies until they expired from
the agony. Here Princess Tarakanova was locked in a cell which filled
with water, causing the rats to climb upon her body to save themselves
from drowning. Here in the awful loneliness of the silent dungeons, an
army of unfortunates had gone insane.
The carriage rested again and Kropotkin was taken to a third iron gate
which opened into a dark room where he could vaguely see several
soldiers in soft felt boots gliding noiselessly about as if they were
phantoms from another world. He recalled that here was caged much of the
winged glory of Russian Literature--Ryleev, the poet of freedom whose
forbidden ballads Kropotkin's mother copied in her note-books;
Griboyedov who wrote one immortal masterpiece[31] and then put pen no
more to paper because the censor mutilated his work beyond recognition;
Shevchenko who dipped his quill in a soul of tears and wrote
heart-breaking poetry about his fellow-serfs; Dostoyevsky, the sensitive
novelist who described so well the injured and insulted; Pisarev, a
truly marvellous critic whose voice was a trumpet-call arousing the
youth to a higher life; Chernishevsky, the profoundest thinker of his
time, as great a genius as the race of man has produced.[32] These--and
how many more!--had spent weary years in the fortress where he was now
walking.
Public-domain text, read in full here on John Shaqi.
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