Didactic fiction; Political fiction; Social problems -- Fiction
He turned to his bookcases. But he needed something of more compelling
interest than the census and immigration reports to fill the time till
sleep would come. Most of his little library were reference books, the
rest he had read and reread. On the bottom shelf was a bundle he had
never unwrapped. They were books Walter had given him after one of their
discussions over the meaning of Life. He had never read them, because he
was sure he would find no interest in the hodge-podge, haphazard kind of
thinking which Walter seemed to enjoy. He pulled them out now--at least
they would offer the interest of novelty. The first book he opened was
Henri Bergson's _L'Evolution Créatrice_. Walter, as was his custom, had
annotated it copiously. On the fly-page he had written, "A superb
discussion of the limitations of Pure Reason." The phrase caught
Isadore's eye as he listlessly read the note. Was not this "limitation"
of reason the very thing that was troubling him?
No book that he had read in years seemed to vibrate so compellingly with
a sense of actuality. This was partly due no doubt to the master
craftsmanship of the author. But very likely it would have made no
impression on Isadore if he had read it when Walter had asked him to.
The jar and conflict of the last few months had opened up the
compartments of his brain to a long-lost receptivity. The facts of life
had shaken his intellectual structure until he was prepared to
understand.
This suave and erudite Frenchman was calmly announcing that the Age of
Reason was a myth, rationalism a superstition. From every field of human
knowledge Bergson was gathering his evidence, from the microscopic data
of biology to the gigantic stellar facts beyond our vision, with
merciless logic he was proving that the instrument with which we reason
is not divine. "The God which has failed you," he said to Isadore, "is a
false god. The brain, with which you created it, is only a faulty animal
instrument, as liable to error as your eyes, for which you have been
compelled to buy rectifying glasses."
While the message of Bergson is iconoclastic, a titanic warfare against
the formal gods, it is by no means destructive. It holds a more
magnificent, a more humanly satisfying optimism than metaphysics has
dared, a promise of greater intimacy with the living truth than cold
reason ever formulated. Above all it offered to Isadore to restore his
self-respect.
He had to refill his lamp before he finished the book. And when he had
reached the end, he could not sleep. A strange bodily unrest seized him.
He wanted to get away. When the heavens opened and a great light shone
upon Saul of Tarsus, he felt at once the need of going out to some
distant desert place to rearrange his life in accordance with the new
light. Isadore also had need of an Arabia.
Public-domain text, read in full here on John Shaqi.
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