Didactic fiction; Political fiction; Social problems -- Fiction
As a matter of fact the professor had been quite wrong in calling her
intellect masculine--it was only a remarkably good one. It had the
fearlessness to look the folly of our industrial system in the face and
understand it. She had a deep womanliness which made it impossible for
her to accept a manner of life which was in contradiction to her
intellectual convictions. Thinking as she did that the relations between
capital and labor were basically unjust, it was necessary for her to
spend her life in the fight for justice.
What might be called "the normal mother instinct" had been denied her.
Her woman's nature had turned into an ardent desire to "mother" the
race. The babes who die unborn, those who are poisoned by bad milk, who
wither up from bad air, whose growth is stunted by bad food--all the sad
little children of the poor--were her own brood. She wrote rarely to her
two blood sisters--she was the big sister of all the girls who are
alone.
Her parents were entirely out of sympathy with her interest in working
people. Principally to escape their ceaseless nagging, she had come
East. For several years she had been the head of the Woman's Trade Union
League. Her gentle breeding made her successful with the wealthy ladies
on whom the League depended for support, the working girls idolized her,
the rather rough men of the Central Federated Union had come to
recognize that she never got up in meeting unless she had something to
say. And the bosses complimented her ability by hating her cordially.
Most of the young men who tried to court her--and there was a constant
stream of them, for she was a very attractive woman--fared badly. She
was distressingly illusive. Her intellect was so lively that it was hard
to admire her manifold charms. She wanted the people who talked to her
to think. And she checked sentimentality with scornful laughter.
Things were further complicated for her would-be suitors by the fact
that Mabel, when she was not very busy, was always accompanied by her
room-mate Eleanor Mead. Eleanor did not look like a formidable duenna.
She was of a pure pre-Raphaelite type. By profession she was an interior
decorator, and her business card said, "Formerly with Liberty--Avenue de
l'Opera, Paris." She carefully cultivated the appearance of an Esthete.
She nearly always dressed in rich greens and old golds and was never
truly happy except during the limited season when she could wear fresh
daffodils in her girdle. She was clever at her work and gained a very
good income, which she augmented by fashionable entertainments where she
lectured in French on subjects of Art and sometimes gave mildly dramatic
readings of Maeterlinck and other French mystics.
Public-domain text, read in full here on John Shaqi.
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