When I recollect the ardor with which I sought the acquaintance of those whom I imagined had ideas to communicate, and my delight in such when found, I am led to think how very desirable were an institution to which young students might resort during such portion of the year as might be most convenient, to enjoy the fellowship of some of our most cultivated persons,--scholarships being provided for such as had not the means of defraying the necessary expenses,--thus enabling bright young men and women, whether college graduates or not, to complete what colleges do not give. Not every student comes into that intellectual sympathy with his professor, which renders instruction most enjoyable, yet without which the highest ends of culture are not attained. With a faculty composed of persons whose names a moment's thought will suggest, opportunities would be given for that sympathetic communion of mind with mind in which all living instruction and influence consist. EMERSON. TUESDAY, 13. Emerson has lately completed a course of readings on English Poetry to an appreciative company in Boston. It is a variation of his method of communicating with his companies, and not less becoming than even his usual form of lecture. It matters not in his case; for such is the charm of his manner, that wherever he appears, the cultured class will delight in his utterances; and one may quote Socrates in Phædrus, where Plato makes him say, "For as men lead hungry creatures by holding out a green bough, or an apple, so you, Phædrus, it would seem, might lead me about all Attica, and, indeed, wherever else you please, by extending to me discourses out of your books." Not less aptly Goethe describes him, in his letters to Schiller, where he calls the rhapsodist, "A wise man, who, in calm thoughtfulness, shows what has happened; his discourse aiming less to excite than to calm his auditors, in order that they shall listen to him with contentment and long. He apportions the interest equally, because it is not in his power to balance a too lively impression. He grasps backwards and forwards at pleasure. He is followed, because he has only to do with the imagination, which of itself produces images, and which, up to a certain degree, is indifferent what kind he calls up. He does not appear to his auditors, but recites, as it were, behind a curtain; so there is a total abstraction from himself, and it seems to them as though they heard only the voice of the Muses."