All men love the country who love mankind with a wholesome love,
and have poetry and company in them. Our essayist makes good this
preference. If city bred, he has been for the best part of his life
a villager and countryman. Only a traveller at times professionally,
he prefers home-keeping; is a student of the landscape, of mankind,
of rugged strength wherever found; liking plain persons, plain ways,
plain clothes; prefers earnest people; shuns egotists, publicity; likes
solitude, and knows its uses. Courting society as a spectacle not less
than a pleasure, he carries off the spoils. Delighting in the broadest
views of men and things, he seeks all accessible displays of both for
draping his thoughts and works. And how is his page produced? Is it
imaginable that he conceives his piece as a whole, and then sits down
to execute his task at a heat? Is not this imaginable rather, and the
key to the construction of his works? Living for composition as few
authors can, and holding company, studies, sleep, exercise, affairs,
subservient to thought, his products are gathered as they ripen,
stored in his commonplaces; their contents transcribed at intervals,
and classified. It is the order of ideas, of imagination observed
in the arrangement, not of logical sequence. You may begin at the
last paragraph and read backwards. 'Tis Iris-built. Each period is
self-poised; there may be a chasm of years between the opening passage
and the last written, and there is endless time in the composition.
Jewels all! Separate stars. You may have them in a galaxy, if you like,
or view them separate and apart. But every one finds that, if he take
an essay, or verses, however the writer may have pleased himself with
the cunning workmanship, 'tis cloud-fashioned, and a blind pathway for
any one else. Cross as you can, or not cross, it matters not, you may
climb or leap, move in circles, turn somersaults;
"In sympathetic sorrow sweep the ground,"
like his swallow in Hermione. Dissolving views, prospects, vistas
opening wide and far, yet earth, sky,--realities all, not illusions.
Here is substance, sod, sun; much fair weather in the seer as in
his leaves. The whole quaternion of the seasons, the sidereal year,
has been poured into these periods. Afternoon walks furnished their
perspectives, rounded and melodized them. These good things have been
talked and slept over, meditated standing and sitting, read and
polished in the utterance, submitted to all various tests, and, so
accepted, they pass into print. Light fancies, dreams, moods, refrains,
were set on foot, and sent jaunting about the fields, along wood-paths,
by Walden shores, by hill and brook-sides, to come home and claim their
rank and honors too in his pages. Composed of surrounding matters,
populous with thoughts, brisk with images, these books are wholesome,
homelike, and could have been written only in New England, and by our
poet.
Public-domain text, read in full here on John Shaqi.
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