Confession; Or, The Blind Heart. A Domestic StorySimms, William Gilmore
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Confession; Or, The Blind Heart. A Domestic Story
Simms, William Gilmore
Domestic fiction
For these I had then no name. The feelings were vague and indefinable,
but not the less unpleasant. I did not fancy for a moment that I was
wronged, or likely to be wronged, but I felt that he was doing wrong.
Then, too, I had my misgivings of what the world would think! I did not
fancy that he had any design to wrong me; but there seemed to me a cruel
want of consideration in his conduct. But what annoyed me most was,
that Julia should receive him at such periods He was thoughtless,
enthusiastic in art, and thoughtless, perhaps, in consequence of his
enthusiasm. But I expected that she should think for both of us in such
a case. Women, alone, can be the true guardians of appearances where
they themselves are concerned; and it was matter of painful surprise to
me that she should not have asked herself the question: “What will the
neighbors think, during my husband's absence, to see a stranger, a
young man, coming to visit me with periodical regularity, morning after
morning?”
That she did not ask herself this question should have been a very
strong argument to show me that her thoughts were all innocent. But
there is a terrible truth in what Caesar said of his wife's reputation:
“She must be free from suspicion.” She must not only do nothing wrong,
but she must not suffer or do anything which might incur the suspicion
of wrong doing. There is nothing half so sensible to the breath
of calumny, as female reputation, particularly in regions of high
civilization, where women are raised to an artificial rank of respect,
which obviates, in most part, the obligations of their dependence upon
man, but increases, in due proportion, some of their responsibilities
to him. Poor Julia had no circumspection, because she had no feeling of
evil. I believe she was purity itself; I equally believe that William
Edgerton was quite incapable of evil design. But when I came from my
office, the first morning that he had thus passed at my house in my
absence, and she told me that he had been there, and how the time had
been spent, I felt a pang, like a sharp arrow, suddenly rush into my
brain. Julia had no reserve in telling me this fact. It was a subject
she seemed pleased to dwell upon. She narrated with the earnest,
unseeing spirit of a self-satisfied child, the sort of conversation
which had taken place between them--praised Edgerton's taste, his
delicacy, his subdued, persuasive manners, and showed herself as utterly
unsophisticated as any Swiss mountain-girl who voluntarily yields the
traveller a kiss, and tells her mother of it afterward. I listened with
chilled manners and a troubled mind.
“You are unwell, Edward,” she remarked tenderly, approaching and
throwing her arms around my neck, as she perceived the gradual gathering
of that cloud upon my brows.
“Why do you think so, Julia?”
“Oh, you look so sad--almost severe, Edward, and your words are so few
and cold. Have I offended you, dear Edward?”
Public-domain text, read in full here on John Shaqi.
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