Confession; Or, The Blind Heart. A Domestic StorySimms, William Gilmore
General
Confession; Or, The Blind Heart. A Domestic Story
Simms, William Gilmore
Domestic fiction
Julia was sitting, gazing, with hand lifted above her eyes, at a
Murillo--a ragged Spanish boy, true equally to the life and to the
peculiar characteristics of that artist--dark ground-work, keen, arch
expression, great vivacity, with an air of pregnant humor which speaks
of more than is shown, and makes you fancy that other pictures are to
follow in which the same boy must appear in different phases of feeling
and of fortune.
I need not say that the pictures, however, called for a momentary glance
only from me. My glances were following my thoughts, and they were
piercing through the only possible avenues, the cheeks, the lips, the
tell-tale eyes, deep down into the very hearts of the suspected parties.
They were so placed that, standing at the door, and half hidden from
sight by a screen, I could see with tolerable distinctness the true
expresion in each countenance, though I saw but half the face. Julia was
gazing upon the pictures, but Edgerton was gazing upon her! He had no
eyes for any other object; and I fancied, from the abstracted and almost
vacant expression of his looks, that I without startling him from his
dream. In his features, speaking, even in their obliviousness of all
without, was one sole, absorbing sentiment of devotion. His eyes were
riveted with a strenuous sort of gaze upon her, and her only. He stood
partly on one side, but still behind her, so that, without changing her
position, she could scarcely have beheld his countenance. I looked in
vain, in the brief space of time which I employed in surveying them, but
she never once turned her head; nor did he once withdraw his glance from
her neck and cheek, a part only of which could have been visible to him
where he stood. Her features, meanwhile, were subdued and placid. There
was nothing which could make me dissatisfied with her, had I not been
predisposed to this dissatisfaction; and when the tones of my voice were
heard, she started up to meet me with a sudden flash of pleasure in her
eyes which illuminated her whole countenance.
“Ah I you are come, then. I am so glad!”
She little knew why I had come. I blushed involuntarily with the
conviction of the base motive which had brought me. She immediately
grasped my arm, drew me to the contemplation of those pictures which
had more particularly pleased herself, absolutely seeming to forget that
there was a third person in the room. William Edgerton turned away and
busied himself, for the first time no doubt, in the examination of a
landscape on the opposite wall. I followed his movement with my glance
for a single instant, but his face was studiously averted.
CHAPTER XXV.
THE OLD GOOSE FINDS A YOUNG GANDER.
Public-domain text, read in full here on John Shaqi.
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