Confession; Or, The Blind Heart. A Domestic StorySimms, William Gilmore
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Confession; Or, The Blind Heart. A Domestic Story
Simms, William Gilmore
Domestic fiction
“You are cold to me, dear husband; ah! be not cold. I have narrowly
escaped from death. So they tell me--so I feel! Be not cold to me. Let
me not think that I am burdensome to you.”
“Why should you think so, Julia?”
“Ah! your words answer your question, and speak for me. They are so
few--they have no warmth in them; and then, you leave me so much, dear
husband--why, why do you leave me?”
“You do not miss me much, Julia.”
“Do I not! ah! you do me wrong. I miss nothing else but you. I have all
that I had when we were first married--all but my husband!”
“Do not deceive yourself, Julia; these fine speeches do not deceive
me. I am afraid that the love of woman is a very light thing. It yields
readily to the wind. It does not keep in one direction long, any more
than the vane on the house-top.”
“You do NOT think so, Edward. Such is not MY love. Alas! I know not how
to make it known to you, husband, if it be not already known; and yet it
seems to me that you do not know it, or, if you do, that you do not care
much about it. You seem to care very little whether I love you or not.”
I exclaimed bitterly, and with the energy of deep feeling.
“Care little! _I_ care little whether you love me or no! Psha! Julia,
you must think me a fool!”
It did seem to me a sort of mockery, knowing my feelings as _I_
did--knowing that all my folly and suffering came from the very
intensity of my passion--that I should be reproached, by its object,
with indifference! I forgot, that, as a cover for my suspicion, I had
been striving with all the industry of art to put on the appearance of
indifference. I did not give myself sufficient credit for the degree of
success with which I had labored, or I might have suddenly arrived at
the gratifying conclusion, that, while I was impressed and suffering
with the pangs of jealousy, my wife was trembling with fear that she had
for ever lost my affections. My language, the natural utterance of my
real feelings, was not true to the character I had assumed. It filled
the countenance of the suffering woman with consternation. She
shrunk from me in terror. Her hand was withdrawn from my neck, as she
tremulously replied:--
“Oh, do not speak to me in such tones. Do not look so harshly upon me.
What have I done?”
“Ay! ay!” I muttered, turning away.
She caught my hand.
“Do not go--do not leave me, and with such a look! Oh! husband, I may
not live long. I feel that I have had a very narrow escape within these
few days past. Do not kill me with cruel looks; with words, that, if
cruel from you, would sooner kill than the knife in savage hands. Oh!
tell me in what have I offended? What is it you think? For what am I to
blame? What do you doubt--suspect?”
These questions were asked hurriedly, apprehensively, with a look of
vague terror, her cheeks whitening as she spoke, her eyes darting wildly
into mine, and her lips remaining parted after she had spoken.
Public-domain text, read in full here on John Shaqi.
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