Confession; Or, The Blind Heart. A Domestic StorySimms, William Gilmore
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Confession; Or, The Blind Heart. A Domestic Story
Simms, William Gilmore
Domestic fiction
My waywardness in childhood did not often amount to rudeness, and never,
I may safely say, where Julia was concerned. In her case, it was simply
the exercise of a sullenness that repelled her approaches, even as
its own approaches had been repelled by others. At such periods I went
apart, communing, sternly with myself, refusing the sympathy that I most
yearned after, and resolving not to be comforted. Let me do the dear
child the justice to say that the only effect which this conduct had
upon her, was to increase her anxieties to soothe the repulsive spirit
which should have offended her. Perhaps, to provoke this anxiety in one
it loves, is the chief desire of such a spirit. It loves to behold the
persevering devotion, which it yet perversely toils to discourage. It
smiles within, with a bitter triumph, as it contemplates its own power,
to impart the same sorrow which a similar perversity has already made it
feel.
But, without seeking further to analyze and account for such a spirit,
it is quite sufficient if I have described it. Perhaps, there are other
hearts equally froward and wayward with my own. I know not if my story
will amend--perhaps it may not even instruct or inform them--I feel
that no story, however truthful, could have disarmed the humor of that
particular mood of mind which shows itself in the blindness of the heart
under which it was my lot to labor. I did not want knowledge of my own
perversity. I knew--I felt it--as clearly as if I had seen it written
in characters of light, on the walls of my chamber. But, until it had
exhausted itself and passed away by its own processes, no effort of
mine could have overcome or banished it. I stalked apart, under
its influence, a gloomy savage--scornful and sad--stern, yet
suffering--denying myself equally, in the perverse and wanton denial to
which I condemned all others.
Public-domain text, read in full here on John Shaqi.
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