So, the ideal novel, conforming in every part to the behests of the
imagination, should produce, by means of literary art, the illusion of
a loftier reality. This excludes the photographic method of
novel-writing. "That is a false effort in art," says Goethe, towards
the close of his long and splendid career, "which, in giving reality to
the appearance, goes so far as to leave in it nothing but the common,
every-day actual." It is neither the actual, nor Chinese copies of the
actual, that we demand of art. Were art merely the purveyor of such
things, she might yield her crown to the camera and the stenographer;
and divine imagination would degenerate into vulgar inventiveness.
Imagination is incompatible with inventiveness, or imitation. Imitation
is death, imagination is life. Imitation is servitude, imagination is
royalty. He who claims the name of artist must rise to that vision of a
loftier reality--a more true because a more beautiful world--which only
imagination can reveal. A truer world,--for the world of facts is not
and cannot be true. It is barren, incoherent, misleading. But behind
every fact there is a truth: and these truths are enlightening,
unifying, creative. Fasten your hold upon them, and facts will become
your servants instead of your tyrants. No charm of detail will be lost,
no homely picturesque circumstance, no touch of human pathos or humor;
but all hardness, rigidity, and finality will disappear, and your story
will be not yours alone, but that of every one who feels and thinks.
Spirit gives universality and meaning; but alas! for this new gospel of
the auctioneer's catalogue, and the crackling of thorns under a pot. He
who deals with facts only, deprives his work of gradation and
distinction. One fact, considered in itself, has no less importance
than any other; a lump of charcoal is as valuable as a diamond. But
that is the philosophy of brute beasts and Digger Indians. A child,
digging on the beach, may shape a heap of sand into a similitude of
Vesuvius; but is it nothing that Vesuvius towers above the clouds, and
overwhelms Pompeii?
* * * * *
Public-domain text, read in full here on John Shaqi.
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