I had seen so many pictures that seemed to be "made up" in the artist's
studio and I knew so well from my experience in the drawing classes at
school, how nature was neglected for artificial models, that I hailed
these words with great joy.
Everything in life was rather conventional, rather fixed, for the
Centennial Exhibition in Philadelphia, to which our country owes the
beginning of the æsthetic awakening, had not yet taken place. It may
seem strange to this generation that we were limited to the wood-cuts in
Godey's _Lady's Book_, the illustrations in _Harper's Magazine_, and an
occasional picture in some short-lived periodical. The reign of the
chromo had just begun. Rogers's groups were a fixture in nearly every
self-respecting house, though I am glad to say, in my own family, very
good casts of the Clytie and the Discus-thrower filled their place. My
father greatly admired Power's Greek Slave, whose praises had been
celebrated in the _Cosmopolitan Magazine_; but my mother regarded it as
almost "improper."
Nearly every youth of my generation, in Philadelphia, wanted not exactly
something better, but something more vivid. There were few sports; long
walks and a little cricket supplied the place of the coming baseball and
tennis.
In his "Steeplejack," James Huneker speaks of his weekly walks with Mr.
Edward Roth, the head of a military school and the author of "Christus
Judex." I, too, looked on these walks with an occasional row on the
Schuylkill with him as the best part of my education. But this was
later. All we could do, then, in our moments of leisure, was to walk and
talk and read.
The cult of the out-of-doors had not yet begun to be developed. The
beginning of "A Painter's Camp" was most attractive to my thirsty soul.
Mr. Hamerton says:
I had a wild walk yesterday. I have a notion of encamping on the
Boulsworth moors to study heather; and heartily tired of being
caged up here in my library, with nothing to see but wet
garden-walks and dripping yew trees, and a sundial whereon no
shadow had fallen the livelong day, I determined, in spite of the
rain to be off to the moors to choose a site for my encampment. Not
very far from this house still dwells an old servant of my uncle's
with whom I am on the friendliest terms. So I called upon this
neighbour on my way and asked him if he would take a walk with me
to the hills. Jamie stared a little and remarked that "it ur feefi
weet" but accompanied me nevertheless, and a very pleasant walk we
had of it.
Public-domain text, read in full here on John Shaqi.
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