How often in later life I blessed the discriminating collectors of that library! Nothing worth while at that time, even "L'Homme" of Ernest Hello, seemed to have been left out; I fear that I was not always guided by the critics of the period. I found Amédée Achard as interesting as Octave Feuillet; George Sand bored me; I could never get through even "La Petite Fadette," although the critics were constantly recommending her for her "vitality." I found Madame de Gérardin's "La Femme qui Déteste Son Mari" one of the cleverest plays I had yet read. I have not seen it since; but, outside of some of the pieces of Augier, it seemed to me to be the best bit of construction I knew, and the human interest and the suspense were so admirably kept up. There were some plays by Octave Feuillet--"Redemption" was one and "Le Roman d'un Jeune Homme Pauvre," which divided my admiration with the management of "Adrienne Lecouvreur," by Scribe, and "Mademoiselle de la Seiglière," by Jules Sandeau. The French playwrights of to-day have not even the technique of their predecessors. At this time I was very royalist, an infuriated partisan of the Comte de Chambord--Henry V., as a few of us preferred to call him. And this reminds me of my partisanship in things English--if I may turn for the moment from things French--and of a little incident not without humour. I was ardently devoted to the cause of the Stuarts, and was for a time attached to the White Rose Society, whose correspondents in England invariably sent their letters, with the stamp turned upside down, to indicate their contempt for the Guelf dynasty. But when, at a small and frugal reunion at Mr. Green's restaurant in Philadelphia, our host--he was an American Walsh of the family of de Serrant--insisted on waving his glass of beer over the finger bowls, to insinuate that we were drinking to the last of the Stuarts across the water--whoever he might be--and another member suggested that, if it were not for the brutal Hanoverians on the throne of England, we, in the British Colonies, might be still enjoying the blessedness of being ruled by a descendant of Mary Stuart, I resigned! I was still devoutly faithful to the divine Mary of Scotland; but I would not have her mixed up in American politics! Octave Feuillet satisfied my taste for elegance. Some of his people were not above reproach--notice the lady in "Redemption," who becomes suddenly converted to a belief in God because her twenty-fifth lover is suddenly restored to her. I thought that, though he was somewhat corrupted by the influence of the Tuileries, he was socially so admirably correct.