Keats's Greece seems somehow to be a Greece too full of modern colour,
too unclassical. This was a mistake, of course, due to the fact that all
my Greek reading had been filtered through professors and textbooks; and
all my Greek seeing had been centred on pale white statues. It did not
occur to me then--at least I did not know it--that the great Greek
statues were not colourless, and that at Delphi there were statues that
glowed with the hues of life. Strange to say, though "Le Centaure"
seemed to me to be Greek in the classical sense, yet it palpitated with
human emotion. Who that has read it can forget the simplicity of the
opening? Says the Centaur:
I received my birth in the fastnesses of these mountains. As the
stream of this valley of which the primitive drops run from the
rocks which weep in a deep grotto, the first moment of my life fell
among the darkness of a secluded place in which the silence was not
troubled. When our mothers come near the time of their deliverance,
they flee towards the caverns, and in the depth of the most remote,
in the darkest of shadows, their children are born without a moan
and the fruits of their womb are as silent as themselves. Their
strong milk enables us to overcome without weakness or a doubtful
struggle the first difficulties of life; however, we go out from
our caves later than you from your cradles. It is understood among
us that we must hide and envelope the first moments of existence as
days filled by the gods. My growth followed its course almost among
the shadows where I was born. The depth of my living place was so
lost in the shadow of the mountain that I would not have known
where the opening was if rushing sometimes into this opening the
winds had not passed about me certain movements suddenly and
refreshing breezes. Sometimes, too, my mother came back carrying
the perfume of the valleys, or dripping with the waves of the water
she frequented. Now these returns of hers gave me no knowledge of
the valleys or the stream, but their suggestions disquieted my
spirit, and I paced agitatedly in my shades.
Public-domain text, read in full here on John Shaqi.
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